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Marcus V. Pollio

"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

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"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

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"I have a little shadow that goes in and out with me, And what can be the use of him is more than I can see."

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"I'll often rush out from Dark Shadows, having made a 5.30PM appointment, working for a couple of hours."

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"Getting out from under the shadow of Henry Fonda was difficult."

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"I'm always shy in front of an audience, so I'm always at the back, in the shadows, just doing it. I don't like the front, the adulation."

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"The evil components of our shadow are the part of us that we deplore, the part of us that we prefer not to admit. One must set themselves free from all inhibitions in order to initiate close encounters with their innermost monster. By standing toe-to-toe with the part of ourselves that we most detest, a person is in a position to slay their fiendish sense of self and, by doing so, undergo a soulful transformation."

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"One is forever throwing away substance for shadows."

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"But maybe you carried your demons with you everywhere, the way you carried your shadow."

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"The black shadow cares for itself, not for you."

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"The movie wasn't really derived from Dark Shadows - they developed a whole new script for that particular one."

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"Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real."

Explore more quotes by Marcus V. Pollio

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Marcus V. Pollio
"Architecture is a science arising out of many other sciences, and adorned with much and varied learning; by the help of which a judgment is formed of those works which are the result of other arts."
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Marcus V. Pollio
"Since, therefore, individuals as well as the public are so indebted to these writers for the benefits they enjoy, I think them not only entitled to the honour of palms and crowns, but even to be numbered among the gods."
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Marcus V. Pollio
"Care should be taken that all buildings are well lighted: in those of the country this point is easily accomplished, because the wall of a neighbour is not likely to interfere with the light."
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Marcus V. Pollio
"But I, Caesar, have not sought to amass wealth by the practice of my art, having been rather contented with a small fortune and reputation, than desirous of abundance accompanied by a want of reputation."
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Marcus V. Pollio
"I, therefore, O Caesar, do not publish this work, merely prefixing my name to a treatise which of right belongs to others, nor think of acquiring reputation by finding fault with the works of any one."
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Marcus V. Pollio
"From the exterior face of the wall towers must be projected, from which an approaching enemy may be annoyed by weapons, from the embrasures of those towers, right and left."
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Marcus V. Pollio
"The temple of Ceres should be in a solitary spot out of the city, to which the public are not necessarily led but for the purpose of sacrificing to her."
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Marcus V. Pollio
"The thickness of the walls should be sufficient for two armed men to pass each other with ease."
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Marcus V. Pollio
"Proportion is that agreeable harmony between the several parts of a building, which is the result of a just and regular agreement of them with each other; the height to the width, this to the length, and each of these to the whole."
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Marcus V. Pollio
"Music assists him in the use of harmonic and mathematical proportion."
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