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Marcus V. Pollio

"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

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"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

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Asa Don Brown

"Shadow is a colour as light is, but less brilliant; light and shadow are only the relation of two tones."

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Personal Development

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Asa Don Brown

"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

Author Name

Personal Development

Quote_1.png
Asa Don Brown

"There is a shadow on every page."

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Personal Development

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Asa Don Brown

"Getting out from under the shadow of Henry Fonda was difficult."

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Personal Development

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Asa Don Brown

"The movie wasn't really derived from Dark Shadows - they developed a whole new script for that particular one."

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Personal Development

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Asa Don Brown

"You're like the girl who left her shadow in the drawer, but when she went to get it, it wasn't there."

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Personal Development

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Asa Don Brown

"I'm always shy in front of an audience, so I'm always at the back, in the shadows, just doing it. I don't like the front, the adulation."

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Personal Development

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Asa Don Brown

"The evil components of our shadow are the part of us that we deplore, the part of us that we prefer not to admit. One must set themselves free from all inhibitions in order to initiate close encounters with their innermost monster. By standing toe-to-toe with the part of ourselves that we most detest, a person is in a position to slay their fiendish sense of self and, by doing so, undergo a soulful transformation."

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Personal Development

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Asa Don Brown

"But maybe you carried your demons with you everywhere, the way you carried your shadow."

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Asa Don Brown

"One is forever throwing away substance for shadows."

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Marcus V. Pollio
"Care should be taken that all buildings are well lighted: in those of the country this point is easily accomplished, because the wall of a neighbour is not likely to interfere with the light."

Care

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Marcus V. Pollio
"Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance."

Shadow

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Marcus V. Pollio
"In setting out the walls of a city the choice of a healthy situation is of the first importance: it should be on high ground, neither subject to fogs nor rains; its aspects should be neither violently hot nor intensely cold, but temperate in both respects."

Choice

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Marcus V. Pollio
"The lanes and streets of the city being set out, the choice of sites for the convenience and use of the state remains to be decided on; for sacred edifices, for the forum, and for other public buildings."

Being

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Marcus V. Pollio
"Music assists him in the use of harmonic and mathematical proportion."

Music

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Marcus V. Pollio
"The temple of Ceres should be in a solitary spot out of the city, to which the public are not necessarily led but for the purpose of sacrificing to her."

Purpose

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Marcus V. Pollio
"But I, Caesar, have not sought to amass wealth by the practice of my art, having been rather contented with a small fortune and reputation, than desirous of abundance accompanied by a want of reputation."

Art

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Marcus V. Pollio
"When it passes towards the east, the sun begins to have less effect upon it, and a thin line on the edge of its bright side emits its splendour towards the earth."

Earth

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Marcus V. Pollio
"Marble is not alike in all countries."

Country

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Marcus V. Pollio
"The thickness of the walls should be sufficient for two armed men to pass each other with ease."

Men

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