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Ben Shahn

"I became interested in photography when I found my own sketching was inadequate."

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"I became interested in photography when I found my own sketching was inadequate."

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Amber Hurdle

"The problem of direct colour photography has been facing us since the turn of the last century."

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Amber Hurdle

"A taste for simplicity cannot endure for long."

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Amber Hurdle

"For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom."

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Amber Hurdle

"All photographs are memento mori. To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt."

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Amber Hurdle

"Actually, when I first started dabbling in photography, I was still working for my parents as a salesman."

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Amber Hurdle

"Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk."

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Amber Hurdle

"Wherever there is light, one can photograph."

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Amber Hurdle

"When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently!"

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Amber Hurdle

"I rode it once, which was up the driveway in the opening credits of the show. I didn't know how to stop it. I actually nearly killed the director of photography, and I smashed into the sound truck."

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Amber Hurdle

"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."

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Ben Shahn
"I remember traveling around in Arkansas with Senator Robinson, and I told him what this little trick was. He felt very much part of it and had me take pictures of people unbeknownst to them."
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Ben Shahn
"Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know."
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Ben Shahn
"Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish."
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Ben Shahn
"I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all."
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Ben Shahn
"Now, my knowledge of photography was terribly limited."
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Ben Shahn
"I still love to look at photographs but I couldn't do it myself anymore."
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Ben Shahn
"In '38, this time I did a job for Mr. Stryker. I went on his payroll at about half the salary I was getting before, to cover what he called Harvest in Ohio."
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Ben Shahn
"I didn't care where my works were published."
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Ben Shahn
"I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that."
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Ben Shahn
"I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on."
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