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"I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal."
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"We came together in a dance of death and so quickly was I sucked down into the vortex that when I came to the surface again I couldn't recognize the world. When I found myself loose the music had ceased the carnival was over and I had been picked clean."
"There are cancers so insidious in their nature that their very pulsation is invisible. Such cancers leave the ivory whiteness of the skin untouched, and marble not the firm, fair flesh, with their blue tints; the physician who bends over the patient's chest hears not, through he listens, the insatiable teeth of the disease grinding its onward progress through the muscles, as the blood flows freely on; the knife has never been able to destroy, and rarely even, temporarily, to discern the rage of these mortal scourges; their home is in the mind, which they corrupt; they fill the whole heart until it breaks. Such, madame, are the cancers, fatal to queens; are you, too, free from their scourge?"
"There were sins whose fascination was more in the memory than in the doing of them, strange triumphs that gratified the pride more than the passions, and gave to the intellect a quickened sense of joy, greater than any joy they brought, or could ever bring, to the senses."
"I have seen people starting the fire with water, turning every breeze into a storm, create chaos out of peace. Few people are meant to destroy everything and themselves no matter what, and if you hold on to them long they will take you into their abyss and tear you into pieces."
"Malphas surveyed the women's bodies with utter disgust and sorrowuntil he realized Tabitha was still alive. He knelt by her side and cradled her head tenderly. "Tabby... I'm so sorry"Grimacing she opened her eyes as she labored to breathe. She laughed bitterly, exposing a set of bleeding teeth. "there are some things that sorry doesn't fix, Caleb.""Shhh, don't speak. I can--""you failed us," She went limp in his arms. Her eyes went Dull.Wincing, Caleb held her close to his heart and stroked her bloody hair. "No, Tabby. I failed myself.""Most of all, I failed Nick."
"How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June" . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that-for that-I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!"
Explore more quotes by Isabelle Huppert
"For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top."
"It really helps you to go through difficult situations by just thinking about it as being a big amount of work which you have to solve how to do. For example, I don't feel very inspired when I act, I just act. That's it."
"Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug."
"I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way."
"Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real."
"Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else."
"But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach."
"When you come to do the film, it is not the time to wonder why you do it. It's just how to do it."
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