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Leo Ornstein

"Hopefully, I have a certain amount of what you call musical talent."

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"Hopefully, I have a certain amount of what you call musical talent."

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Amber Hurdle

"You need to find your gift, something you are doing better than others."

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Personal Development

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Amber Hurdle

"We're all geniuses. Life is merely overpopulated with singers who play drums, and, drummers who sing, to pay rent."

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Personal Development

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Amber Hurdle

"We are told that talent creates its own opportunities. But it sometimes seems that intense desire creates not only its own opportunities, but its own talents."

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Personal Development

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Amber Hurdle

"What you are good at, you never do it free!"

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Amber Hurdle

"I just rely on natural talent," said Adrian, strolling up to the start of the Dragon's Lair. "When you have such a wealth of it to draw from, the danger comes from having too much."

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Amber Hurdle

"That boy is talented. You don't develop those gifts in houses or in schools."

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Amber Hurdle

"...bow to genius, but to the authority of that genius - not the display of talent..."

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Amber Hurdle

"I was getting an A for work. But not for talent. The story of my life."

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Amber Hurdle

"It's like a novelist writing far out things. If it makes a point and makes sense, then people like to read that. But if it's off in left field and goes over the edge, you lose it. The same with musical talent, I think."

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Amber Hurdle

"The German mind has a talent for making no mistakes but the very greatest."

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

Now

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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."

Talent

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

Music

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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

Difference

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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."

Connection

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."

Music

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."

Music

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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."

Music

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Leo Ornstein
"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."

Music

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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."

Burden

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