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Chiaki Kuriyama

"A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime."

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"A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime."

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Akiroq Brost

"Hey, any idea why Australians speak something that sounds deceptively like English but isn't? I mean, I'm trying to figure out why I can't seem to converse with another human being who speaks the same language as I do."

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Akiroq Brost

"Proletarian language is dictated by hunger. The poor chew words to fill their bellies."

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Akiroq Brost

"If the tongue had not been framed for articulation, man would still be a beast in the forest."

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Akiroq Brost

"Thou shalt not use the 140 characters limit as an excuse for bad grammar and/or incorrect spelling."

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Akiroq Brost

"But language is wine upon his lips."

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Akiroq Brost

"A cliche is everything you've ever heard of."

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Akiroq Brost

"A lexicographer a writer of dictionaries a harmless drudge."

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Akiroq Brost

"The greater part of the world's troubles are due to questions of grammar."

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Akiroq Brost

"Ignorant people think it is the noise which fighting cats make that is so aggravating, but it ain't so; it is the sickening grammar that they use."

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Akiroq Brost

"All choice of words is slang. It marks a class. "There is correct English: that is not slang. "I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets."

Explore more quotes by Chiaki Kuriyama

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Chiaki Kuriyama
"I certainly look at them very differently now, and enjoy Jackie Chan movies and movies like that."
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Chiaki Kuriyama
"My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think."
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Chiaki Kuriyama
"It was pretty much the way that it was when I first read it, although one exception would be that some ideas that I had were also incorporated into the script."
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Chiaki Kuriyama
"Julie Dryfus and I were both afraid of heights and in one scene, I had to be quite high up and I was rather terrified, but Julie was very kind, encouraging me and we got through that together."
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Chiaki Kuriyama
"I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning."
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Chiaki Kuriyama
"We started with the basics of kicking and punching, then we moved on once we got proficient in that, we moved on to working with the weapons, and from then on working with the wires."
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Chiaki Kuriyama
"Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood."
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Chiaki Kuriyama
"Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out."
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Chiaki Kuriyama
"Obviously, a skirt does present certain problems that I had to be aware of. But when it came to the shoot and we were rolling, I didn't really pay it any attention. It wasn't too bad."
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Chiaki Kuriyama
"Obviously, the difference between a game and actual training is you're using your whole body, so in that sense, maybe not, although maybe something to do with reaction, the speed of reaction, maybe that was of use during the training."
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