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Phillip Noyce

"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."

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"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."

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A.E. Samaan

"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."

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Personal Development

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A.E. Samaan

"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."

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Personal Development

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A.E. Samaan

"We are the only state that does not have a State Film Corporation there to support the commercial industry."

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Personal Development

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A.E. Samaan

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Personal Development

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A.E. Samaan

"To make a documentary is one thing, to make a feature film is quite another."

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Personal Development

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A.E. Samaan

"I like the smell of film. I just like knowing there's film going through the camera."

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Personal Development

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A.E. Samaan

"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee."

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Personal Development

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A.E. Samaan

"I am never driven. Every film I've made has been an assignment."

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Personal Development

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A.E. Samaan

"I met Milos in 1967. I was working on a student film. And there is Milos Forman. So that's how I met Milos."

Author Name

Personal Development

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A.E. Samaan

"Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back."

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Phillip Noyce
"The children, each of those kids is in touch with nature and traditional aboriginal culture so a very important part of getting performances from them was just letting them be and trying to capture the unique spirituality that was in each of them."

Nature

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Phillip Noyce
"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."

Film

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Phillip Noyce
"People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct."

Family

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Phillip Noyce
"Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature."

History

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Phillip Noyce
"There were a couple Aborigines in my primary school, but we never spoke to them. They kept to themselves, and we never really even locked eyes. They weren't acknowledged officially either."

School

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Phillip Noyce
"Obviously all of us have thought about Vietnam, particularly in my generation in Australia that were part of conscription and fought there. Our friends came back, forever changed. So there were a lot of questions."

Friendship

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Phillip Noyce
"I remembered the 500 people that lived on a reserve outside my little town, behind a big fence."

People

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Phillip Noyce
"You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank."

Work

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Phillip Noyce
"Well, I don't know what they'll turn out to be, but I'm working on a film of Kon Tiki."

Film

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Phillip Noyce
"Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face."

History

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