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Orson Scott Card

"The story is one that you and I will construct together in your memory. If the story means anything to you at all, then when you remember it afterward, think of it, not as something I created, but rather as something that we made together."

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"The story is one that you and I will construct together in your memory. If the story means anything to you at all, then when you remember it afterward, think of it, not as something I created, but rather as something that we made together."

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Amber Hurdle

"Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing!"

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Personal Development

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Amber Hurdle

"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."

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Amber Hurdle

"To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else."

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Amber Hurdle

"This is how deeply rooted stories are, folks. We crave them before we can walk, and we start telling them before we can talk."

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Amber Hurdle

"As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper."

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Amber Hurdle

"All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.All of them?Sure, he says. Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist."

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Amber Hurdle

"If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be."

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Amber Hurdle

"What you need to remember is that there's a difference between lecturing about what you know and using it to enrich the story. The latter is good. The former is not."

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Amber Hurdle

"Experience is the catalyst for all great stories."

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Amber Hurdle

"The glory of a good tale is that it is limitless and fluid, a good tale belongs to each reader in its own particular way."

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Orson Scott Card
"My master wishes to see you," said the mounted man."When the planting's done," I said."Lord Barton is unaccustomed to waiting.""Then he should rejoice, for he'll learn something new today." I went back to the garden. Soon the servant left."

Patience

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Orson Scott Card
"I'll become exactly the tool you want me to be, said Ender silently, but at least I wont be fooled into it. I'll do it because I choose to, not because you tricked me, you sly bastard."

Freedom

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Orson Scott Card
"Oh no, real life is escape. The great terrors, the horrors--we hope--of your life come from reading fiction."

Perception

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Orson Scott Card
"When you have a good romance, find ways to make their lives miserable and hellish...Do you think 'Titanic' would have been so popular if they had both lived? Not a prayer."

Romance

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Orson Scott Card
"It was not about physical strength, Wit reminded himself. It was 90 percent mental, 10 percent physical. That's what the SEAL instructors were looking for: men and women who could disregard the pleadings of the body. Pain was nothing, sleep was nothing. What was chaffed skin, wrecked muscles, bleeding sores? The body chooses to be sore. The body chooses to be exhausted. But the SEAL mind rejects it. The SEAL mind commands the body, not the other way around."

Motivation

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Orson Scott Card
"Vanya soon found that America might be an exciting place to arrive, but living there could become, in time, as boring as anything else."

Experience

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Orson Scott Card
"Ender didn't like fighting. He didn't like Peter's kind, the strong against the weak, and he didn't like his own kind either, the smart against the stupid."

Conflict

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Orson Scott Card
"So the whole war is because we can't talk to each other."

Conflict

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Orson Scott Card
"The power to cause pain is the only power that matters, the power to kill and destroy, because if you can't kill then you are always subject to those who can, and nothing and no one will ever save you."

Power

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Orson Scott Card
"It had to be a trick or you couldn't have done it."

Logic

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