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Don DeLillo

"Doesn't our knowledge of death make life more precious?'What good is a preciousness based on fear and anxiety? It's an anxious quivering thing."

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"Doesn't our knowledge of death make life more precious?'What good is a preciousness based on fear and anxiety? It's an anxious quivering thing."

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Amber Hurdle

"A red leaf danced from a branch like a dropping flame, down into the calm blue lake. A gust had broken it free. There was a cold bite in the wind. It was now deep autumn in the mountains."

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Amber Hurdle

"She would fain have caught at the skirts of that departing time, and prayed it to return, and give her back what she had too little valued while it was yet in her possession. What a vain show Life seemed! How unsubstantial, and flickering, and flitting! It was as if from some aerial belfry, high up above the stir and jar of the earth, there was a bell continually tolling, 'All are shadows!-all are passing!-all is past!"

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Amber Hurdle

"Hey, even the Mona Lisa is falling apart."

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Amber Hurdle

"Thanks to impermanence, everything is possible. Life itself is possible. If a grain of corn is not impermanent, it can never be transformed into a stalk of corn. If the stalk were not impermanent, it could never provide us with the ear of corn we eat."

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Amber Hurdle

"The very first noble truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last-that they don't disintegrate, that they can be counted on to satisfy our hunger for security."

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Amber Hurdle

"Those who are made can be unmade."

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Amber Hurdle

"We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. as we were. as we are no longer. as we will one day not be at all."

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Amber Hurdle

"I know there's no such thing as forever. So what can we be, in the now?"

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Amber Hurdle

"Whenever you see flies or insects in a still life-a wilted petal, a black spot on the apple-the painter is giving you a secret message. He's telling you that living things don't last-it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer-there it is."

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Amber Hurdle

"If there were a sympathy in choice,War, death, or sickness, did lay siege to it,Making it momentary as a sound,Swift as a shadow, short as any dream,Brief as the lightning in the collied nightThat, in a spleen, unfolds both heaven and earth,And ere a man hath power to say 'Behold!'The jaws of darkness do devour it up;So quick bright things come to confusion."

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Don DeLillo
"People who are powerless make an open theater of violence."
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Don DeLillo
"The writer is the person who stands outside society, independent of affiliation and independent of influence."
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Don DeLillo
"I felt Joyce was an influence on my fiction, but in a very general way, as a kind of inspiration and a model for the beauty of language."
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Don DeLillo
"Too young for Korea, too old for Vietnam."
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Don DeLillo
"Doesn't seem quite real. It's not meaningful. I can't quite imagine myself being 73. That's the age my father was! [Laughter.] How can I be his age? It's weird."
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Don DeLillo
"The plane had lost power in all three engines, dropped from thirty-four thousand feet to twelve thousand feet. Something like four miles. When the steep glide began, people rose, fell, collided, swam in their seats. Then the serious screaming and moaning began. Almost immediately a voice from the flight deck was heard on the intercom: 'We're falling out of the sky! We're going down! We're a silver gleaming death machine!' This outburst struck the passengers as an all but total breakdown of authority, competence and command presence and it brought on a round of fresh and desperate wailing."
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Don DeLillo
"How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?"
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Don DeLillo
"Secrets are an exalted state, almost a dream state. They're a way of arresting motion, stopping the world so we can see ourselves in it."
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Don DeLillo
"Vanity is a defensive quality. it contains an element of fear."
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Don DeLillo
"All that incoherence. Selection, election, option, alternative. All behind him now. Codes and formats. Courses of action. Values, bias, predilection. Choice is a subtle form of disease."
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