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"The Jungian view of drama would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories."
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"But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge."
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"And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months."
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"But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it."
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"Oh, this is the most TRAGICAL thing that ever happened to me!"
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"I feel sorry and for the both characters the drama for the girl, which was unknown was one very big, for the father who knows what has happened to him... I try to explore him little deeper, but so far to go in the darker without a light...!?"
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"Exaggerating Your Gestures"Have you ever walked through a door and been jumped on by an over-enthusiastic dog with big paws who practically knocked you down? Some people have that effect. Being too flamboyant and over-boisterous can be overkill and push people away. Drama queens and kings have mastered these exaggerations, much to the chagrin of their observers. Remaining intentional in your gestures is a mark of poise, elegance, and maturity."
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"In fact-Dr. Sheppard!"
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"He knew that all the hazards and perils were now drawing together to a point: the next day would be a day of doom, the day of final effort or disaster, the last gasp."
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"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."
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"We participate in tragedy. At comedy we only look."
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"The Jungian view of drama would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories."
Drama
"There's so much of, it could have been a very critical examination of what happened, and really the emotional lives of the people involved sort of carry the characters forward."
People
"I don't have the energy or the mental security to get involved with all that. I think it's a good idea to be able to disappear into the story, so that the first thing the audience sees isn't you, but the part."
Idea
"I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters."
Cards
"I was born in 1961. Now I think the 16 years that elapsed between 1961 and the end of the wars is nothing. To a child growing up it felt like an eternity, an entirely different world."
End
"My dad served in the Air Force as ground crew for several years, and doesn't really talk about it. I know that it's there. I think my main thing about direct or indirect experiences as near to home as it were is the idea of self-sacrifice really."
Father
"I don't consider 41 being in prime of life. Even if I conceived a child tomorrow I'd be 52 by the time it was 10. I'm not sure I'd have the energy, and I find that quite scary."
Time
"People will say that it's some kind of evasion, but I would never want to have a kid for me. I'd want to have the child for the child's sake, if that makes sense."
People
"I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions."
Idea
"All the great novels, all the great films, all the great dramas are fictions that actually tell us the truth about us or about human nature or about human situations without being tied into the minutia of documentary events. Otherwise we might as well just make documentaries."
Nature
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