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Andrew Coyle Bradley

"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

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"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

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Akiroq Brost

"I think Shakespeare had a lot to contribute with his understanding of the human condition."

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Akiroq Brost

"The nearest figure to myself would be Shakespeare."

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Akiroq Brost

"Find enough clever things to say, and you're a Prime Minister; write them down and you're a Shakespeare."

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Akiroq Brost

"I think there's a poet who wrote once a tragedy by Shakespeare, a symphony by Beethoven and a thunderstorm are based on the same elements. I think that's a beautiful line."

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Akiroq Brost

"In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced."

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Akiroq Brost

"It's a perfectly valid position to not like Shakespeare."

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Akiroq Brost

"Yes, it's true, I've been called the Laurence Olivier of spoofs. I guess that would make Laurence Olivier the Leslie Nielsen of Shakespeare."

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Akiroq Brost

"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

Author Name

Personal Development

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Akiroq Brost

"It is true that there are few plays of Shakespeare that I haven't done."

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Akiroq Brost

"We have cut the text, but what remains are Shakespeare's words."

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Andrew Coyle Bradley
"Shakespeare's idea of the tragic fact is larger than this idea and goes beyond it; but it includes it, and it is worth while to observe the identity of the two in a certain point which is often ignored."

Idea

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Andrew Coyle Bradley
"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."

Catastrophes

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Andrew Coyle Bradley
"In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced."

Shakespeare

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Andrew Coyle Bradley
"A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side."

Death

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Andrew Coyle Bradley
"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."

Folly

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Andrew Coyle Bradley
"In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character."

Death

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Andrew Coyle Bradley
"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

Shakespeare

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Andrew Coyle Bradley
"Both Brutus and Hamlet are highly intellectual by nature and reflective by habit. Both may even be called, in a popular sense, philosophic; Brutus may be called so in a stricter sense."

Nature

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Andrew Coyle Bradley
"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."

Knowledge

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Andrew Coyle Bradley
"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."

Action

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