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George Martin

"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."

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"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."

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Amber Hurdle

"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

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Amber Hurdle

"Then India, everyone has his own idea of India."

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Amber Hurdle

"The Buggles was much more a studio environment idea, which we never actually took on the road."

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Amber Hurdle

"There's an element of tongue-in-cheek in every one of our songs. Walking off into the sunset, holding hands, and being married forever was not exactly a brand new idea."

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Amber Hurdle

"So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him."

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Amber Hurdle

"I wanted to be president of the United States. I really did. The older I get, the less preposterous the idea seems."

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Amber Hurdle

"It's got to be weird to sit in an office all day and deal with these creative types without having any idea of what they do or how they do it."

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Amber Hurdle

"When an idea exclusively occupies the mind, it is transformed into an actual physical or mental state."

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Amber Hurdle

"I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks."

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Amber Hurdle

"I'm quite into the idea of engineering being beautiful."

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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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"When you extend life span, that's really something. That's hard to do."
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"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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