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George Martin

"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."

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"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."

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"Unless you close your door to other ideas, you will never remain idealess!"

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"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

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"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."

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"The real battlefield is the realm of ideas."

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"There is no battle or engagement with any institution, company or government; it is always an engagement of ideas."

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"Why should the composer be more guilty than the poet who warms to fantasy by a strange flame, making an idea that inspires him the subject of his own very different treatment?"

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"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."

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Asa Don Brown

"We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane."

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"The idea is to try to give all the information to help others to judge the value of your contribution; not just the information that leads to judgment in one particular direction or another."

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Asa Don Brown

"There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces."

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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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