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Robert Morgan

"Young writers find their first audience in little magazines, and experimental writers find their only audience there."

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"Young writers find their first audience in little magazines, and experimental writers find their only audience there."

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Assegid Habtewold

"Some books sold because they are (said to be) great. Some are (said to be) great because they sold."

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Assegid Habtewold

"The world has become sad because a puppet was once melancholy. The nihilist, that strange martyr who has no faith, who goes to the stake without enthusiasm, and dies for what he does not believe in, is a purely literary product. He was invented by Turgenev, and completed by Dostoevsky. Robespierre came out of the pages of Rousseau as surely as the People's Palace rose out debris of a novel. Literature always anticipates life. It does not copy it, but moulds it to its purpose."

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Assegid Habtewold

"Literature always anticipates life. It doesn't copy it but moulds it to it's purpose."

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Assegid Habtewold

"This would be...a book that would be a trapdoor down into some place dark. A place only you could go, alone, when you opened the cover. Because only books have that power."

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Assegid Habtewold

"A good novel tells us the truth about its hero, but a bad novel tells us the truth about its author."

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Assegid Habtewold

"No, said Bran. "I haven't. And if I have it doesn't matter. Sometimes Old Nan would tell the same story she'd told before, but we never minded, if it was a good story. Old stories are like old friends, she used to say. You have to visit them from time to time."

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Assegid Habtewold

"Like someone excitedly relating a story, only to find the words petering out, the path gets narrower the further I go, the undergrowth taking over."

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Assegid Habtewold

"Books are well written, or badly written. That is all."

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Assegid Habtewold

"For what was it about books that once finished left the reader in a bit of a haze and made them reread the last few sentences in order to continue the ringing in their hearts a while longer, so as not to let the silence illumine the fact that reading, they had gained something - distance, a lesson, a companion, a new world - but now, after the last full stop, they had lost something palpable and felt a little emptier than before."

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Assegid Habtewold

"Do you understand now why books are hated and feared? Because they reveal the pores on the face of life. The comfortable people want only the faces of the full moon, wax, faces without pores, hairless, expressionless."

Explore more quotes by Robert Morgan

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Robert Morgan
"Young writers only take off when they find their subjects. Since almost everyone has a family and stories about family, that is often a place to start."
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Robert Morgan
"One of the most powerful devices of poetry is the use of distortions. You can go from talking about the way a minute passes to the way a century passes, or a lifetime."
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Robert Morgan
"Distance not only gives nostalgia, but perspective, and maybe objectivity."
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Robert Morgan
"The young people have MTV and rock and roll. Why would they go to read poetry? Poetry belongs to the Stone Age. It awakens in us perceptions that go back to those times."
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Robert Morgan
"Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back."
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Robert Morgan
"Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values, some of the same techniques."
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Robert Morgan
"Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that."
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Robert Morgan
"Southern poets are still writing narrative poems, poems in forms, dramatic poems."
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Robert Morgan
"I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems."
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Robert Morgan
"In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking."
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