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"He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not."
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"What I try to do in a play is put a problem on stage, head-on, without evasion."
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Personal Development
"We really never know what we're gonna play when we get on stage."
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Personal Development
"We just finished making a record. Everybody wants to play shows, so we're going to after that."
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Personal Development
"I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience."
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Personal Development
"All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in."
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Personal Development
"The world is a stage, but the play is badly cast."
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Personal Development
"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."
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Personal Development
"Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney."
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Personal Development
"I play drums, clarinet, saxophone, trumpet, french horn, piano."
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Personal Development
"In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues."
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"Creativity is much better when it's free. Someone can take it and sell it if that's what it needs, and from that standpoint, you have to have a label. If you could make your music and just give it away and somehow make a living - that would be the best scenario."
Music
"Back then, we could drive a mile from home and there was nothing. Now it's grown in every direction and is populated and modernized. I guess I have mixed feelings about it, but I'm not someone that thinks everything should stop growing."
Home
"When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me."
People
"You know that they're not just into it for the moment, they really care about it and value it over time."
Time
"I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records."
Money
"The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place."
Imagination
"More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs)."
Music
"I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist."
Art
"He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not."
Play
"He helped make Living Things even more crazy than I wanted it to be. He added old-fashioned piano and classical folk music - that weird otherworldly vibe - all these elements got onto the record."
Music
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