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"Be on guard. The road widens, and many of the detours are seductive."
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"Before you take that first curious, coerced, spiteful, or vengeful step forward, remember this: it's a thousand times easier to slip into a muddy pit than it is to climb out of one."
Author Name
Personal Development
"Be careful of those who would only be around you if they are doing better than you. People of such nature would likely become your worst enemies if you start doing better than them."
Author Name
Personal Development
"Do not take the advantage of all the little luxuries a house of a stranger may offer you."
Author Name
Personal Development
"Some people have hollow souls. They'll see your light and like a moth to a flame, they'll gravitate toward you. Be cautious, for these souls will attempt to steal your joy and try robbing the sparkle from your eyes."
Author Name
Personal Development
"The 'Smart' radio frequency (RF) utility meter program is a known biologically harmful system that has been implemented by evil people."
Author Name
Personal Development
"Be on guard. The road widens, and many of the detours are seductive."
Author Name
Personal Development
"Remember that pornography is dangerous. It can warp the mind and destroy sexual intimacy in marriage. Stay away from it. A monster is crouched behind that door."
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Personal Development
"I had learned years ago never to give original documents to anyone if I could help it."
Author Name
Personal Development
"You should never attack a necromancer in a cemetery, it's like chasing Rambo into a building full of loaded guns. Some people seem to help you kill them."
Author Name
Personal Development
"There's a saying," Aeneas said: "Keep an eye on Greeks when they offer gifts." He spoke wryly. "Horses, particularly."
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Personal Development
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"She was terrified of everything, and terrified to show it."
Emotion
"There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone."
Art
"I think TV promulgates the idea that good art is just art which makes people like and depend on the vehicle that brings them the art."
Art
"The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush."
God
"The integrity of my sleep has been forever compromised, sir."
Life
"The fraud part of me was always there, just as a puzzle piece, objectively speaking, is a true piece of the puzzle even before you see how it fits."
Identity
"I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things."
Humor
"It's not what you lift, it's where you carry it."
Wisdom
"Tell them there are no holes for your fingers in the masks ofmen. Tell them how could you ever even hope to love what you can'tgrab onto."
Love
"Then he looked up, despite all best prior intentions. In four minutes, it would be another hour; a half hour after that was the ten-minute break. Lane Dean imagined himself running around on the break, waving his arms and shouting gibberish and holding ten cigarettes at once in his mouth, like a panpipe. Year after year, a face the same color as your desk. Lord Jesus. Coffee wasn't allowed because of spills on the files, but on the break he'd have a big cup of coffee in each hand while he pictured himself running around the outside grounds, shouting. He knew what he'd really do on the break was sit facing the wall clock in the lounge and, despite prayers and effort, count the seconds tick off until he had to come back and do this again. And again and again and again."
Life
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