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Anais Nin

"And in his eyes he had the look of the cat who inspires a desire to caress but loves no one, who never feels he must respond to the impulses he arouses."

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"And in his eyes he had the look of the cat who inspires a desire to caress but loves no one, who never feels he must respond to the impulses he arouses."

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Amber Hurdle

"His eyes were that colour you can't see in the rainbow. Indigo."

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Amber Hurdle

"Your opinions about doesn't matter, I know who I am."

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Amber Hurdle

"That one smooth black eye stared, and reflected in it I fancied I could see the cyclopeon city, and the endless column of the marching dead."

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Amber Hurdle

"To understand the mysteries of God we must move past the logic of men."

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Amber Hurdle

"All those who try to unveil the mysteries always have tragic lives. At the end they are always punished."

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Amber Hurdle

"Don't ask about my past. And never expect a future."

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Amber Hurdle

"When you read any great mystery, recorded in holy Writ, you are to prostrate your Reason to Divine Revelation."

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Amber Hurdle

"Have you ever come across something you couldn't explain?""Explain in what way? I could explain a ghost by saying, 'yes, that's a ghost.' I take it, that's not what you mean."

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Amber Hurdle

"Hazel frowned. "Why that one?""You don't see the ghost?" Frank asked."Ghost?" Nico asked.Okay... if Frank was seeing a ghost that the Underworld kids couldn't see, something was definitely wrong."

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Anais Nin
"Luxury is not a necessity to me, but beautiful and good things are."
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Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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Anais Nin
"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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Anais Nin
"When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body."
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Anais Nin
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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Anais Nin
"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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Anais Nin
"I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living."
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Anais Nin
"I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain."
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Anais Nin
"The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence."
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