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"Gamma was a logical progression after doing the Open Fire record."
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"Malice can always find a mark to shoot at, and a pretence to fire."

"I never wanted to set the world on fire. So I never had to burn any bridges behind me."

"Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course."

"Jonathan is that brilliant little fire that burns within us all, that lives only for those moments when we reach perfection."

"There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it."

"Jealousy is cruel as the grave: the coals thereof are coals of fire."

"My theory on housework is, if the item doesn't multiply, smell, catch fire, or block the refrigerator door, let it be. No one else cares. Why should you?"
Explore more quotes by Ronnie Montrose


"It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music."


"I would say seeing the original Yardbirds with Jeff Beck and Jimmy Page at the old Fillmore was a pretty powerful influence on me."


"Because it was the original 4 guys, and the dynamic of those 4 guys interacting together that had the power."


"I was following my muse and I was very fortunate in having good people around me and it turned out to be a pretty good recording in my opinion."


"Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries."


"I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them."


"I was working with Bill Graham management at the time and it was obvious to everyone concerned that albums like Open Fire, while they were good for me creatively, were not going to be commercially successful."


"I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for."
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