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Leo Ornstein

"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."

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"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."

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Amber Hurdle

"Enthusiasm - a distemper of youth, curable by small doses of repentance in connection with outward applications of experience."

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Personal Development

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Amber Hurdle

"Of two pleasures, if there be one which all or almost all who have experience of both give a decided preference, irrespective of any feeling of moral obligation to prefer it, that is the more desirable pleasure."

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Personal Development

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Amber Hurdle

"I had rather have a fool to make me merry than experience to make me sad and to travel for it too!"

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Personal Development

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Amber Hurdle

"You can teach a person all you know, but only experience will convince him that what you say is true."

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Personal Development

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Amber Hurdle

"The possibility of injury or death was a strong attraction: as the online world became more and more pre-edited and slicked up, and as even its so-called reality sites raised questions about authenticity in the minds of the viewers, the rough, unpolished physical world was taking on a mystic allure."

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Personal Development

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Amber Hurdle

"The deepest experience of the creator is feminine, for it is experience of receiving and bearing."

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Personal Development

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Amber Hurdle

"We learn from experience that men never learn anything from experience."

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Personal Development

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Amber Hurdle

"There is more experience on the field of justification than on the camp of training. Sometimes, you got to take actions to learn more."

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Personal Development

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Amber Hurdle

"The word experience is like a shrapnel shell, and bursts into a thousand meanings."

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Personal Development

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Amber Hurdle

"Have you noticed in your past experience that your kind interpretations were almost always truer than you harsh one?"

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

Now

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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."

Talent

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

Music

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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

Difference

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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."

Connection

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."

Music

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."

Music

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Leo Ornstein
"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."

Fact

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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."

Music

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Leo Ornstein
"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."

Music

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