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Leo Ornstein

"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."

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"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."

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Akiroq Brost

"Poetry is innocent, not wise. It does not learn from experience, because each poetic experience is unique."

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Akiroq Brost

"I just came into my own sexuality at thirty. I don't think it's something you can deeply experience at 18 or any time before that."

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Akiroq Brost

"It was like making a blunder at a party; there was nothing to do about it, it was dreadfully mortifying, but it showed a lack of sense to ascribe too much importance to it."

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Akiroq Brost

"Through this experience we have been warned - learn everything, don't forget anything!"

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Akiroq Brost

"Failure is only an experience. Experience is the foundation of any success."

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Akiroq Brost

"I will perform My Heart Will Go On for the rest of my life and it will always remain a very emotional experience for me."

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Akiroq Brost

"We are all the sum of a million moments in our lives."

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Akiroq Brost

"Common experience is the gold reserve which confers an exchange value on the currency which words are; without this reserve of shared experiences, all our pronouncements are checks drawn on insufficient funds."

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Akiroq Brost

"Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response."

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Akiroq Brost

"I do have to travel a lot for speaking engagements."

Explore more quotes by Leo Ornstein

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."
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Leo Ornstein
"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."
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Leo Ornstein
"Of all the arts, music is really the most abstract."
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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."
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Leo Ornstein
"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."
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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."
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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."
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Leo Ornstein
"I distrust anything that you don't hear."
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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."
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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."
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