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"I gave up my base in popular culture when I left the Tonight Show."
Standard
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"If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so."
People
"It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest."
Focus
"Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups."
Day
"One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else."
Instinct
"I gave up my base in popular culture when I left the Tonight Show."
Culture
"If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold."
Love
"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."
Formula
"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."
Money
"I'm not going to play funk licks on a jazz album. That makes no sense."
Jazz
"I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself."
Care
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"Now that young girls like my twelve-year-old friend Mai are being exposed to modern Western women like me through crowds of tourists, they're experiencing those first critical moments of cultural hesitation. I call this the "Wait-a-Minute Moment" - that pivotal instant when girls from traditional cultures start pondering what's in it for them, exactly, to be getting married at the age of thirteen and starting to have babies not long after. They start wondering if they might prefer to make different choices for themselves, or any choices, for that matter. Once girls from closed societies start thinking such thoughts, all hell breaks loose."
Author Name
Personal Development
"Pagans earn their reputations for relaxed sexual mores, often in rebellion from the repression of their religions during adolescence. At a Pagan festival, one need only lower one's guard to be offered sex under the cloaking of the sacred."
Author Name
Personal Development
"It's surprising to me how many of my friends send Christmas cards, or holiday cards, including my atheist and secular friends."
Author Name
Personal Development
"I'm the idiot box. I'm the TV. I'm the all-seeing eye and the world of the cathode ray. I'm the boob tube. I'm the little shrine the family gathers to adore.' 'You're the television? Or someone in the television?' 'The TV's the altar. I'm what people are sacrificing to.' 'What do they sacrifice?' asked Shadow.'Their time, mostly,' said Lucy. 'Sometimes each other.' She raised two fingers, blew imaginary gunsmoke from the tips. Then she winked, a big old I Love Lucy wink.'You're a God?' said Shadow.Lucy smirked, and took a ladylike puff of her cigarette. 'You could say that,' she said."
Author Name
Personal Development
"Sociologically speaking, as Americans we often lack social, cultural, and mindful awareness. We hear the stories of how our arrogance has been known to offend, confuse, and alienate people from other cultures. Arrogance is the thief of mindfulness and it happens from both directions."
Author Name
Personal Development
"The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren't about the women. They were about men, what men did, and what was important to men."
Author Name
Personal Development
"The gypsies believe the bear to be a brother to man because he has the same body beneath his hide, because he drinks beer, because he enjoys music and because he likes to dance."
Author Name
Personal Development
"A really cultured woman, like a really cultured man, is all the simpler and the less obtrusive for her knowledge; it has made her see herself and her opinions in something like just proportions; she does not make it a pedestal from which she flatters herself that she commands a complete view of men and things, but makes it a point of observation from which to form a right estimate of herself. She neither spouts poetry nor quotes Cicero on slight provocation; not because she thinks that a sacrifice must be made to the prejudices of men, but because that mode of exhibiting her memory and Latinity does not present itself to her as edifying or graceful."
Author Name
Personal Development
"In Shinear, a woman [is] safe anywhere, any time-except from Trollocs and Myrddraal, of course-and any man [will] die to see it so."
Author Name
Personal Development
"Every individual is at once the beneficiary and the victim of the linguistic tradition into which he has been born."
Author Name
Personal Development
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