top of page
Quote_1.png
Danny Elfman

"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

Standard 
 Customized
"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

Exlpore more Dance quotes

Quote_1.png
Amber Hurdle

"Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!"

Quote_1.png
Amber Hurdle

"Dancing begets warmth, which is the parent of wantonness."

Quote_1.png
Amber Hurdle

"I'm working toward a CD that will have all of you dancing like crazy."

Quote_1.png
Amber Hurdle

"When you dance, your purpose is not to get to a certain place on the floor. It's to enjoy each step along the way."

Quote_1.png
Amber Hurdle

"My first vocation was dance."

Quote_1.png
Amber Hurdle

"Dancing is a wonderful training for girls, it's the first way you learn to guess what a man is going to do before he does it."

Quote_1.png
Amber Hurdle

"My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing."

Quote_1.png
Amber Hurdle

"I used to dance when I was younger - ballet and modern dance."

Quote_1.png
Amber Hurdle

"West Side Story was terribly important because of the style of the dancing and the gangs of New York."

Quote_1.png
Amber Hurdle

"How I long to fall just a little bit, to dance out of the lines and stray from the light."

Explore more quotes by Danny Elfman

Quote_1.png
Danny Elfman
"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."
Quote_1.png
Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
Quote_1.png
Danny Elfman
"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."
Quote_1.png
Danny Elfman
"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
Quote_1.png
Danny Elfman
"I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music."
Quote_1.png
Danny Elfman
"Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call."
Quote_1.png
Danny Elfman
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
Quote_1.png
Danny Elfman
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
Quote_1.png
Danny Elfman
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."
Quote_1.png
Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
bottom of page