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Danny Elfman

"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

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"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

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Donna Grant

"We got on American Bandstand, where kids would dance to a record and then rate it. We called ourselves Tom and Jerry. I was Jerry."

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Donna Grant

"Dance on the stage of life with love in your heart, a smile on your face, and a great vision in your mind."

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Donna Grant

"Dance with your own way with your own tune no matter who watches it."

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Donna Grant

"Dance with the waves of sea and sing with the sky,touch the sands with love and let your mind fly high."

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Donna Grant

"I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together."

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Donna Grant

"The real dance is a spontaneous body movement that in harmony with the beats of the music in your heart."

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Donna Grant

"Dance as if you got lost in the mystery and beauty of life."

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Donna Grant

"The job of feets is walking, but their hobby is dancing."

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Donna Grant

"In the beginning, I didn't dance that much and stuff."

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Donna Grant

"It's not that I wanted to be an actor; it's that I didn't want to be a dancer! I was trained in traditional Chinese dance, and after working so hard it seemed unfair to just disappear into a group."

Explore more quotes by Danny Elfman

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Danny Elfman
"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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Danny Elfman
"You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier."
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Danny Elfman
"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
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Danny Elfman
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
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Danny Elfman
"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
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Danny Elfman
"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."
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Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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Danny Elfman
"There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question."
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Danny Elfman
"In Tim's films, more than most, if you miss the tone, you don't get the film."
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