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Danny Elfman

"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

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"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."

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Amber Hurdle

"So dancing was not something I had a great desire to do."

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Amber Hurdle

"It takes a lot of guts to get up on top of a bar and dance."

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Amber Hurdle

"If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay."

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Amber Hurdle

"Dancing came easy to me."

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Amber Hurdle

"I feel that the year ahead for me will be full of two of my favorite things: dance and acting."

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Amber Hurdle

"The Dancing Girls of Lahore was offered to dozens of British publishers and was turned down by everyone. It is still on offer in the U.K., but I'm not confident there will be any takers."

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Amber Hurdle

"The job of feets is walking, but their hobby is dancing."

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Amber Hurdle

"For me, it's like biking around the neighborhood, the walks and stuff, because I have never enjoyed the gym. Or I'll do, since I used to dance a lot, all the old dance exercises."

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Amber Hurdle

"I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had."

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Amber Hurdle

"I mean whatever I do it's important that I put my stamp on it and keep it in my world, whether I'm doing a dance track or something like the Russian album for example."

Explore more quotes by Danny Elfman

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Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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Danny Elfman
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
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Danny Elfman
"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."
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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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Danny Elfman
"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."
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Danny Elfman
"I'll just start laying out the melody exactly where I want it to fall. And then I'll go back and fill it out. Whereas, in other pieces I'm really just going a couple bars at a time."
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Danny Elfman
"I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging."
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