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Madeleine Stowe

"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."

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"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."

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Amber Hurdle

"How can a coach have any influence over a player that's making over five times more than he is?"

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Personal Development

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Amber Hurdle

"And then ultimately what I tell the kids is: coaches can give you information, they can give you guidelines, and they can put you in a position. But the only person who can truly make you better is you."

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Personal Development

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Amber Hurdle

"I want to see if the player communicates with his teammates and how he responds to coaching. Another thing to remember is players' bodies can develop better than their skills."

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Personal Development

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Amber Hurdle

"Coaching is nothing more than eliminating mistakes before you get fired."

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Personal Development

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Amber Hurdle

"I knew nothing about martial arts. The coach told me I was talented with learning martial arts, and put me in a school. Three years later I got my first championship in China."

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Personal Development

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Amber Hurdle

"I can't confirm any rumors. I'm happy doing what I'm doing. I have no interest in going back to coaching."

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Personal Development

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Amber Hurdle

"I wasn't naturally gifted in terms of size and speed; everything I did in hockey I worked for, and that's the way I'll be as a coach."

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Personal Development

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Amber Hurdle

"I wish my teammates, coaches and the entire Lions organization all the best."

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Personal Development

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Amber Hurdle

"Let them police themselves, and then it goes another step past them to my coaches and there a coach that is responsible for a different area and different category on the field."

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Personal Development

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Amber Hurdle

"I was still enjoying coaching, but there was a repetitious manner about it."

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Personal Development

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Madeleine Stowe
"Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration."

Difficulty

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Madeleine Stowe
"I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested."

Daughter

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Madeleine Stowe
"The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong."

Kiss

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Madeleine Stowe
"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."

Funny

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Madeleine Stowe
"I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life."

Life

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Madeleine Stowe
"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."

Work

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Madeleine Stowe
"In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece."

Thought

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Madeleine Stowe
"My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked."

Home

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Madeleine Stowe
"The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene."

Time

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Madeleine Stowe
"I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines."

Work

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