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Rod Steiger

"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."

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"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."

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Donna Grant

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Donna Grant

"Film gives us a second chance at a first impression."

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Donna Grant

"Looper is another great film."

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Donna Grant

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Donna Grant

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Donna Grant

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Donna Grant

"It's gotten to the point where it's big news when I don't do a horror film."

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Donna Grant

"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

Explore more quotes by Rod Steiger

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Rod Steiger
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."
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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"
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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."
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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."
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Rod Steiger
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"
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Rod Steiger
"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."
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Rod Steiger
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."
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