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Rod Steiger

"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."

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"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."

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Donna Grant

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Personal Development

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Donna Grant

"Film gives us a second chance at a first impression."

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Donna Grant

"Looper is another great film."

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Personal Development

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Donna Grant

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Personal Development

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Donna Grant

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Donna Grant

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Personal Development

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Donna Grant

"It's gotten to the point where it's big news when I don't do a horror film."

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Personal Development

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Donna Grant

"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

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Personal Development

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"

Kiss

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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."

Deep

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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."

Death

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Rod Steiger
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."

Time

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Rod Steiger
"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."

Character

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Rod Steiger
"And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!"

American

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Rod Steiger
"Is this a proposal? I'm married now, you know."

Now

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Rod Steiger
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."

Time

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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."

Time

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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."

Film

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