top of page
.png){kind=small}
"Wealth is not an absolute. It is relative to desire. Every time we yearn for something we cannot afford, we grow poorer, whatever our resources. And every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess."
Standard
Customized
Exlpore more Wealth quotes
"When you don't have enough or you run out, you feel in your core that the leak has begun and there will be no end to the leakage. And this makes you feel like a chump. Whereas having some money gives you the conviction that you're not naked in the howling wind, even though you basically are, existentially."
"Not every happy person is rich, and, Not every rich person is happy."
"You only become truly rich the day you possess something that money cannot buy."
"You can create financial abundance by having a positive relationship with money."
"I love money because money is power, the power to invite my friends for lunch and pay the bill without expecting anything in return, the power to give twenty dollars to beggar just because I can, the power to offer an expensive remote control helicopter to children and create a huge smile in them, the power to wait for the ones you love to love you back just because you don't need to waste your time like they do."
"Being wealthy isn't just a question of having lots of money. It's a question of what we want. Wealth isn't an absolute, it's relative to desire. Every time we seek something that we can't afford, we can be counted as poor, how much money we may actually have."
Explore more quotes by Alain de Botton
"There is an easy way to measure our inner levels of abjectness and friendliness to ourselves: we should examine how well we response to noise."
"The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil."
"Paying tax should be framed as a glorious civic duty worthy of gratitude - not a punishment for making money."
"Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to....How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see."
"A sharp decline in actual deprivation may, paradoxically, have been accompanied by an ongoing and even escalating sense of fear of deprivation."
"Standing before costly objects of technological beauty, we may be tempted to reject the possibility of awe, for fear that we could grow stupid through admiration. We may feel at risk of becoming overimpressed by architecture and engineering, of being dumbstruck by the Bombardier trains that progress driverlessly between satellites or by the General Electric GE90 engines that hang lightly off the composite wings of a Boeing 777 bound for Seoul. And yet to refuse to be awed at all might in the end be merely another kind of foolishness."
"What we encounter in works of art and philosophy are objective versions of our own pains and struggles, evoked and defined in sound, language or image. Artists and philosophers not only show us what we have felt, they present our experiences more poignantly and intelligently than we have been able; they give shape to aspects of our lives that we recognise as our own, yet could never have understood so clearly on our own. They explain our condition to us, and thereby help us to be less lonely with, and confused by it."
"A popular perception that political news is boring is no minor issue; for when news fails to harness the curiosity and attention of a mass audience through its presentational techniques, a society becomes dangerously unable to grapple with its own dilemmas and therefore to marshal the popular will to change and improve itself."
"It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us."
"What we colloquially call 'feeling bored' is just the mind, acting out of a self-preserving reflex, ejecting information it has despaired of knowing where to place."
bottom of page