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"ABBA: The Movie; I got a lot of grief for working on that."
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"I saw her tonight. I didn't mean to and I wasn't prepared for it.I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her.It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow.There is something profound about the first night after someone you love dies.Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us.I'm a firm believer in actions doing the telling, but people need to hear it as well."
"She cries quietly, her shoulders heaving up and down, not the kind of loud sobbing that the women Chika knows do, the kind that screams Hold me and comfort me because I cannot deal with this alone. The woman's crying is private, as though she is carrying out a necessary ritual that involves no one else."
"There is the staircase,there is the sun.There is the kitchen,the plate with toast and strawberry jam,your subterfuge,your ordinary mirage.You stand red-handed.You want to wash yourself in earth, in rocks and grassWhat are you supposed to dowith all this loss?In the daylight we knowwhat's gone is gone,but at night it's different.Nothing gets finished,not dying, not mourning;the dead repeat themselves, like clumsy drunkslurching sideways through the doorswe open to them in sleep;these slurred guests, never entirely welcome,even those we have loved the most,especially those we have loved the most,returning from where we shoved themaway too quickly:from under the ground, from under the water,they clutch at us, they clutch at us,we won't let go."
Explore more quotes by Lasse Hallstrom
"Kevin, as the whole cast is, just wonderful people and great people, and people who are attracted to this kind of material and accepting the idea of going to Newfoundland and knowing the kind of lack of amenities."
"I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European."
"I really want to have actors contribute their own ideas, with phrasings and ideas on all levels."
"I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances."
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