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Margaret Atwood

"More and more I feel like a letter-deposited here, collected there. But a letter addressed to no one."

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"More and more I feel like a letter-deposited here, collected there. But a letter addressed to no one."

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Amber Hurdle

"An exceptional woman with all the desired qualities exists only in a man's imagination."

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Amber Hurdle

"His eyes were frighteningly alive, the curve of his mouth savage and pleased. It suddenly didn't seem at all surprising that he should be able to pull things from his dreams.In that moment, Blue was a little in love with all of them. Their magic. Their quest. Their awfulness and strangeness. Her raven boys."

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Amber Hurdle

"Time travel was only a kind of magic, after all. That's why it always went wrong."

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Amber Hurdle

"He thought he was walking along a dusty road that showed white in the gathering darkness of a summer night. Whence and whither it led, and why he traveled it, he did not know, though all seemed simple and natural, as is the way in dreams; for in the Land Beyond the Bed surprises cease from troubling and the judgment is at rest."

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Amber Hurdle

"Michael...Michael got bitten. And now he's a vampire. But he doesn't remember becoming one, and that's a big problem. So if you see him, don't, you know, hug. He bites. He doesn't mean it, though."

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Amber Hurdle

"And although the space they occupy isn't like normalspace, nevertheless they are packed in tightly. Not a cubic inch there but is filled by a claw, a talon, a scale, the tip of atail, so the effect is like one of those trick drawings andyour eyeballs eventually realize that the space between eachdragon is, in fact, another dragon."

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Amber Hurdle

"They passed a couple of guys making a bronze windup toy. At least that's what it looked like. It was a six-inch-tall centaur-half man, half horse-armed with a miniature bow. One of the campers cranked the centaur's tail, and it whirred to life. It galloped across the table, yelling, "Die, mosquito! Die, mosquito! and shooting everything in sight."

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Amber Hurdle

"Dragons were dangerous in the sky. Of course, they were dangerous on the ground too. Just less dangerous. In the same way that a sword is less dangerous so long as it's pointed at someone else."

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Amber Hurdle

"All these girls swooning over hunky vampires, what they really want is to give away their freedom, to be controlled and told what to do and not have to think -- and never die, of course. It's sick is what it is. I don't want to be a forever-young living corpse."

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Amber Hurdle

"Magic works best for me when it aligns with scientific principles."

Explore more quotes by Margaret Atwood

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Margaret Atwood
"If your not annoying somebody, you're not alive."
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Margaret Atwood
"And then she began to cry, and when I asked her why she was doing that, she said it was because I was to have a happy ending, and it was just like a book; and I wondered what books she'd been reading."
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Margaret Atwood
"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."
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Margaret Atwood
"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."
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Margaret Atwood
"Men and women tried each other on, casually, like suits, rejecting whatever did not fit."
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Margaret Atwood
"Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down."
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Margaret Atwood
"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."
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Margaret Atwood
"I sink down into my body as into a swamp, fenland, where only I know the footing. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black."
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Margaret Atwood
"In the old days, trouble was kept in the family, which is still the best place for it, not that there's ever a best place for trouble. Why stir everything up again after that many years, with all concerned tucked, like tired children, so neatly into their graves?"
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Margaret Atwood
"Falling in love, although it resulted in altered body chemistry and was therefore real, was a hormonally induced delusional state, according to him. In addition it was humiliating, because it put you at a disadvantage, it gave the love object too much power. As for sex per se, it lacked both challenge and novelty, and was on the whole a deeply imperfect solution to the problem of intergenerational genetic transfer."
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