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Norman McLaren

"Film is changing, and it can't help but keep changing."

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"Film is changing, and it can't help but keep changing."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it."

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Amber Hurdle

"I got an agent and went up for the part of my first film, Five Gates to Hell."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."

Explore more quotes by Norman McLaren

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Norman McLaren
"Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it."
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Norman McLaren
"But it has, in addition, an even more precious quality - a consciousness of the human intelligence, the human spirit and that man is a social creature."
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Norman McLaren
"So people will come along and do new things and sometimes return to the spirit of an earlier age."
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Norman McLaren
"I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas."
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Norman McLaren
"I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film."
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Norman McLaren
"Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element."
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Norman McLaren
"I don't know whether it ever comes back to the same thing; it does return to the spirit of a previous period in some way, but it's different, it's new."
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Norman McLaren
"By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects."
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Norman McLaren
"The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes."
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Norman McLaren
"And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same."
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