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"Of course, we didn't survive to play all the way through the '90s, so I can say that - as I said, everybody in the band was aware of this, and we trying to figure out ways to make it different."
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"What I try to do in a play is put a problem on stage, head-on, without evasion."
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Personal Development
"We really never know what we're gonna play when we get on stage."
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Personal Development
"All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in."
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Personal Development
"The world is a stage, but the play is badly cast."
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Personal Development
"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."
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Personal Development
"Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney."
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Personal Development
"I play drums, clarinet, saxophone, trumpet, french horn, piano."
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Personal Development
"In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues."
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Personal Development
"Want to play baseball?' she asked. Shane's eyes opened, and he stopped stroking her hair. "What?' "First base,' she said. "You're already there.' "I'm not running the bases.' "Well, you could at least steal second.' "Jeez, Claire. I used to distract myself with sports stats at times like these, but now you've gone and ruined it."
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Personal Development
"Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well."
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"Yes, Pluton, actually, in the play. And I play him in my most stentorian voice."
Play
"Of course, we didn't survive to play all the way through the '90s, so I can say that - as I said, everybody in the band was aware of this, and we trying to figure out ways to make it different."
Play
"Because, first of all, we were becoming aware during that tour that there was a group of people that was following the band around, and they weren't interested in coming in to the shows, they were just interested in hangin' out outside and tryin' to break in."
People
"There was always so much encouragement, to just really take it and run with it, from Deadheads."
Encouragement
"Especially in the realm of bringing an opportunity to do something creative to people, as I said, who wouldn't ordinarily have that opportunity. I think that's very important."
People
"So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there."
Music
"Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s."
Music
"But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years."
Magic
"To sing a simple round is truly an enlightening experience."
Experience
"And the input that we always got from Deadheads, at the moment of making the music, was always a factor."
Music
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