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Bruce Beresford

"I'd really been interested in opera when I was about 16, and I really like staging them."

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"I'd really been interested in opera when I was about 16, and I really like staging them."

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Amber Hurdle

"Directing an opera is similar to directing a play. The singing must not get in the way of the drama."

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Amber Hurdle

"Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations."

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Amber Hurdle

"But I won't deprive myself of singing opera as long as my voice follows."

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Amber Hurdle

"Like an opera singer, I am able to sing out my song in paint."

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Amber Hurdle

"If you have to be in a soap opera try not to get the worst role."

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Amber Hurdle

"A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on."

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Amber Hurdle

"A great opera house isn't run by a director, but by a great administrator."

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Amber Hurdle

"In opera, there is always too much singing."

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Amber Hurdle

"I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera."

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Amber Hurdle

"In no instance is there to be a musical or opera of Inherit the Wind because it doesn't sing. It's an intellectual play."

Explore more quotes by Bruce Beresford

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Bruce Beresford
"Directing an opera is similar to directing a play. The singing must not get in the way of the drama."
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Bruce Beresford
"When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men."
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Bruce Beresford
"It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created."
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Bruce Beresford
"On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through."
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Bruce Beresford
"In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent."
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Bruce Beresford
"When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen."
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Bruce Beresford
"Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances."
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Bruce Beresford
"I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room."
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Bruce Beresford
"In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire."
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Bruce Beresford
"In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films."
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