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"Nobody whispers it in your ear. It is like something you memorized once and forgot. Now it comes back and rips away your breath. You find and finger a phrase at a time; you lay it down cautiously, as if with tongs, and wait suspended until the next one finds you: Ah yes, then this; and yes, praise be, then this."
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"The majority of people dismiss those things that lie beyond the bounds of their own understanding as absurd and not worth thinking about. I myself can only wish that my stories were, indeed, nothing but incredible fabrications. I have stayed alive all these years clinging to the frail hope that these memories of mine were nothing but a dream or a delusion. I have struggled to convince myself that they never happened. But each time I tried to push them into the dark, they came back stronger and more vivid than ever. Like cancer cells, these memories have taken root in my mind and eaten into my flesh."
"As I looked down at him, as I saw his yellow hair pressed against my coat, I had a vision of him from long ago, that tall, stately gentleman in the swirling black cape, with his head thrown back, his rich, flawless voice singing the lilting air of the opera from which we'd only just come, his walking stick tapping the cobblestones in time with the music, his large, sparkling eye catching the young woman who stood by, enrapt, so that a smile spread over his face as the song died on his lips; and for one moment, that one moment when his eye met hers, all evil seemed obliterated in that flush of pleasure, that passion for merely being alive."
"My memories always clutch my brain to understand the past."
"In the space of solitude, a writer attempts to remember how they became whom they are but nobody's memory is up to this demanding task. No matter how much a person harrows the fertile lanes of memory, some memories are lost by the passage of time, psychological defense mechanisms screen other memories from detection, the ephemeral character of other memories are invariably to elusive to arrest with reciprocal language."
"It struck her how sad it was that all of them had grown up on top of one another like small animals in a too-small cage, and now would simply scatter. And that would be the end of that. Everything that had happened would be sucked away into memory and vapour, as though it hadn't even happened at all."
"Memories are like dreams. You remember how you got to the front of the classroom with no clothes on."
".. I thought about him now and then, the things he had taught me about 'being human' and 'relating to others;, but it was always in the distance, as if from another life.. .. The people who might have told me were long forgotten, their phone numbers buried in some packed-away box in the attic."
"In my brain were stored a thousand pictures."
"Sadly as some old mediaeval knightGazed at the arms he could no longer wield,The sword two-handed and the shining shieldSuspended in the hall, and full in sight,While secret longings for the lost delightOf tourney or adventure in the fieldCame over him, and tears but half concealedTrembled and fell upon his beard of white,So I behold these books upon their shelf,My ornaments and arms of other days;Not wholly useless, though no longer used,For they remind me of my other self,Younger and stronger, and the pleasant waysIn which I walked, now clouded and confused."
Explore more quotes by Annie Dillard
"There are 1,198,500,000 people alive now in China. To get a feel for what that means, simply take yourself - in all your singularity, importance, complexity, and love - and multiply by 1,198,500,000. See? Nothing to it."
"The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried."
"I am a sacrifice bound with cords to the horns of the world's rock altar, waiting for worms. I take a deep breath, I open my eyes. Looking, I see there are worms in the horns of the altar like live maggots in amber, there are shells of worms in the rock and moths flapping at my eyes. A wind from no place rises. A sense of the real exults me; the cords loosen: I walk on my way."
"You can live as a particle crashing about and colliding in a welter of materials with god, or you can live as a particle crashing about and colliding in a welter of materials without god. But you cannot live outside the welter of colliding materials."
"For writing a first draft requires from the writer a peculiar internal state which ordinary life does not induce. ... how to set yourself spinning?"
"So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened."
"A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life-the nation, the city, the neighborhood, the house where the family lives-as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers."
"On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away."
"The answer must be, I think, that the beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there."
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