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James Laughlin

"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."

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"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."

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Amaka Imani Nkosazana

"I find it's impossible for me to read Proust."

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Amaka Imani Nkosazana

"I concentrate on the lives of individuals whom the reader comes to know and feel with intimately."

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Amaka Imani Nkosazana

"I've never know any trouble than an hour's reading didn't assuage."

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Amaka Imani Nkosazana

"By reading Huckleberry Finn I felt I was able to justify my act of going into the mountain forest at night and sleeping among the trees with a sense of security which I could never find indoors."

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Amaka Imani Nkosazana

"Culture means, I think, that you have widened your experience enough through reading and through being a little bit thoughtful about these things that it has changed your outlook in some ways. And not necessarily made you a better human being but made you see things."

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Amaka Imani Nkosazana

"And, finally, Lincoln was not a good impromptu speaker; he was at his best when he could read from a carefully prepared manuscript. Though maybe a teleprompter could have helped that!"

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Amaka Imani Nkosazana

"Never read a book through merely because you have begun it."

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Amaka Imani Nkosazana

"I was in the tennis bubble. I wasn't thinking about the big picture. I didn't notice what they said on television, I wasn't reading any papers. I had a coach and a manager, and they kept me in the bubble."

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Amaka Imani Nkosazana

"Hard writing makes easy reading."

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Amaka Imani Nkosazana

"You can't get a cup of tea big enough or a book long enough to suit me."

Explore more quotes by James Laughlin

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James Laughlin
"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."
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James Laughlin
"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."
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James Laughlin
"The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably."
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James Laughlin
"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."
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James Laughlin
"I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world."
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James Laughlin
"Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important."
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James Laughlin
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
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James Laughlin
"I try to write in plain brown blocks of American speech but occasionally set in an ancient word or a strange word just to startle the reader a little bit and to break up the monotony of the plain American cadence."
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James Laughlin
"I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage."
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James Laughlin
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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