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Robert Fitzgerald

"I think it was lucky that during most of the work on the Odyssey I lived on Homer's sea in houses that were, in one case, shaken by the impact of the Mediterranean winter storms on the rocks below."

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"I think it was lucky that during most of the work on the Odyssey I lived on Homer's sea in houses that were, in one case, shaken by the impact of the Mediterranean winter storms on the rocks below."

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Akiroq Brost

"If you need an alarm clock, you need a new job."

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Akiroq Brost

"The only genius that's worth anything is the genius for hard work."

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Akiroq Brost

"Have convictions. Be friendly. Stick to your beliefs as they stick to theirs. Work as hard as they do."

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Akiroq Brost

"Maybe you don't work for seven months a year, but you'll work again. It may be a piece of garbage, so you wear hip boots."

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Akiroq Brost

"I dislike when people try to pigeonhole me, when all I want is to do good work."

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Akiroq Brost

"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."

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Akiroq Brost

"The teacher of history's work should be, ideally, not simply a description of past cultures, but a performance of the culture in which we live and are increasingly taking our being."

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Akiroq Brost

"So many people think they need to have serious equipment. In the magazines and the media, they see all this stylish stuff, especially on TV, and they think, That's what I need to make it work. You don't. I'm attempting a little bit of liberation here."

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Akiroq Brost

"I've never been one who agonizes over my work."

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Akiroq Brost

"The best preparation for tomorrow is to do today's work superbly well."

Explore more quotes by Robert Fitzgerald

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Robert Fitzgerald
"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."
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Robert Fitzgerald
"Poetry is at least an elegance and at most a revelation."
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Robert Fitzgerald
"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."
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Robert Fitzgerald
"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."
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Robert Fitzgerald
"Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect."
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Robert Fitzgerald
"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."
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Robert Fitzgerald
"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."
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Robert Fitzgerald
"Yes, living voices in a living language, so it seemed to us."
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Robert Fitzgerald
"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."
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Robert Fitzgerald
"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."
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