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Edward Hopper

"Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics."

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"Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics."

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Amber Hurdle

"The eye is the jewel of the body."

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Amber Hurdle

"The subject may be crude and repulsive. Its expression is artistically modulated and balanced. This is style. This is art. This is the only thing that really matters in books."

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Amber Hurdle

"Purposefully look for something beautiful today."

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Amber Hurdle

"There is something majestic in the bad taste of Italy."

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Amber Hurdle

"There stood a young man who had the figure of a Greek athlete and the face of an English one...Just where he began to be beautiful the clothes started."

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Amber Hurdle

"Beauty is the virtue of the body as virtue is the beauty of the soul."

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Amber Hurdle

"Art must always stand guard against stirring emotions that lie outside the aesthetic: sexual arousal, terror, disgust, shock."

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Amber Hurdle

"And as for Owen Warland, he looked placidly at what seemed the ruin of his life's labor, and which was yet no ruin. He had caught a far other butterfly than this. When the artist rose high enough to achieve the beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes while his spirit possessed itself in the enjoyment of the reality."

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Edward Hopper
"I have tried to present my sensations in what is the most congenial and impressive form possible to me."
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Edward Hopper
"No amount of skillful invention can replace the essential element of imagination."
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Edward Hopper
"In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period."
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Edward Hopper
"If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression."
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Edward Hopper
"I trust Winsor and Newton and I paint directly upon it."
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Edward Hopper
"I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds."
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Edward Hopper
"Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great."
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Edward Hopper
"After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface."
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Edward Hopper
"Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world."
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Edward Hopper
"I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions."
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