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Jane Horrocks

"When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound."

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"When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound."

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Assegid Habtewold

"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."

Author Name

Personal Development

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Assegid Habtewold

"Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes."

Author Name

Personal Development

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Assegid Habtewold

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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Personal Development

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Assegid Habtewold

"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."

Author Name

Personal Development

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Assegid Habtewold

"I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie."

Author Name

Personal Development

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Assegid Habtewold

"I don't think you can contrive any sound."

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Personal Development

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Assegid Habtewold

"I don't try to sound like anyone but me anymore. If something is out of my element, I try to avoid it."

Author Name

Personal Development

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Assegid Habtewold

"I like things that sound like maybe they shouldn't belong."

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Personal Development

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Assegid Habtewold

"It's the group sound that's important, even when you're playing a solo."

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Personal Development

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Assegid Habtewold

"Let's get one thing straight: there's no such thing as the Bristol sound."

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Jane Horrocks
"I can't read a note of music. I just do it all from ear."

Music

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Jane Horrocks
"Mimicking people was something I did already."

People

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Jane Horrocks
"I think that if you idealise someone for so long, they can only disappoint and I wouldn't want to be disappointed by those people."

People

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Jane Horrocks
"Usually, certainly British singers, adopt an American accent when they sing and I think that usually people are thinking of somebody else, but I just think of very specific people."

People

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Jane Horrocks
"Mike Leigh encourages you to choose a person that you know to base your character on. You write a whole list of people that you know and you go through that list in great depth with him. And then he chooses one of those people from your list."

People

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Jane Horrocks
"My own singing voice is not very good and I don't think that anybody really sings in their own voice."

Singing

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Jane Horrocks
"I don't think that I want to meet any of the icons. I don't think that anybody can quite live up to your expectations."

Expectation

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Jane Horrocks
"I found that I could make people laugh doing people like Shirley Bassey. Fortunately it worked."

People

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Jane Horrocks
"My earliest acting memory is making up a play for my mom and dad called The Lonesome Baby. I have no idea what The Lonesome Baby was about. I just remember the title. But I'm sure it was an epic."

Father

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Jane Horrocks
"When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound."

Sound

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