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Robert Rauschenberg

"I think a painting is more like the real world if it's made out the real world."

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"I think a painting is more like the real world if it's made out the real world."

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Amber Hurdle

"Painting n: the art of protecting flat surfaces from the weather and exposing them to the critic."

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Amber Hurdle

"I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting."

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Amber Hurdle

"In a movie, you're raw material, just a hue of some color and the director makes the painting."

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Amber Hurdle

"But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it."

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Amber Hurdle

"It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world."

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Amber Hurdle

"I found I have to stay painting."

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Amber Hurdle

"A painting shouldn't be just a picture, it should be a philosophy."

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Amber Hurdle

"I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?"

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Amber Hurdle

"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."

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Amber Hurdle

"I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings."

Explore more quotes by Robert Rauschenberg

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Robert Rauschenberg
"You begin with the possibilities of the material."
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Robert Rauschenberg
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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Robert Rauschenberg
"Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965."
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Robert Rauschenberg
"But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable."
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Robert Rauschenberg
"The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone."
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Robert Rauschenberg
"If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble."
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Robert Rauschenberg
"And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission."
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Robert Rauschenberg
"A newspaper that you're not reading can be used for anything; and the same people didn't think it was immoral to wrap their garbage in newspaper."
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Robert Rauschenberg
"I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area."
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Robert Rauschenberg
"I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested."
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