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"But I think that sensitivity is also a good counsellor when it comes to enforcing one's interests."
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"But it is equally necessary to consider the implications for a society if there are fewer and fewer young people making music because we are economising on music schools or musical education in schools."
Education
"A hundred years ago, when Richard Strauss, who has already been quoted and already been heard today, and other creative people, laid the foundation stone for the joint assertion of their rights and interests, they had pioneering work ahead of them in Germany."
Work
"But I think that sensitivity is also a good counsellor when it comes to enforcing one's interests."
Sensitivity
"A hundred years ago, of course, the question that the German Composers' Co-operative asked itself sounded a lot more fundamental: How do you create a fair share for those who ensure that works can actually be performed at all?"
Music
"I understand the worries of many - not only here in this auditorium -, and some have already written to me to say that technical progress has lowered the threshold that stops people from helping themselves to protected works without the slightest embarrassment."
People
"Certainly the interest in asserting copyright is a justified one."
Interest
"We must prepare the ground for creativity. And if this also gives rise later to success in the economic sense, success in terms of Euros and Cents, this will by no means reduce my joy."
Success
"Education is more than Pisa. Particularly musical education. We also need education and training for more than reasons of usefulness and marketability."
Education
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"I didn't want my picture taken because I was going to cry. I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I'd cry for a week. I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full."
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Personal Development
"I enabled your tendency to be vulnerable and weak, and your habits of crying when 6,000 others were present for the music."
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Personal Development
"Much more likely you'll hurt me. Still what does it matter? If I've got to suffer, it may as well be at your hands, your pretty hands."
Author Name
Personal Development
"I fear I have praised you too much too soon. Will I lose you in your shame of believing that you can never be what I think you are?"
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Personal Development
"But once in a while . . . I don't know. I feel so close, Rose. So close to the edge. Like if I allow myself one small misstep, I'll plunge away and never come back. It's like I'll lose myself."
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Personal Development
"What is it?Nothing. I had a bad dream.What did you dream about?Nothing.Are you okay?No.He put his arms around him and held him. It's okay, he said.I was crying. But you didnt wake up.I'm sorry. I was just so tired.I meant in the dream."
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Personal Development
"Maybe we don't ever feel that sweetly untainted and wholly majestic kind of love that takes every longing captive because we are hopelessly entangled in the illogical fear that despite all of love's grand goodness, it might not be good enough to keep us safe."
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Personal Development
"I'll tell them that on bad mornings, it feels impossible to take pleasure in anything because I'm afraid it could be taken away."
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Personal Development
"It was so hard to feel safe in the world when you were a girl."
Author Name
Personal Development
"I do feel that I've managed to make something I could maybe call my world, over time, ittle by little. And when I'm inside it, to some extent, I feel kind of relieved. But the very fact I felt I had to make such a world probably means that I'm a weak person, that I bruise easily, don't you think? And in the eyes of society at large, that world of mine is a puny little thing. It's like a cardboard house: a puff of wind might carry it off somewhere."
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Personal Development
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