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"By the mid-70s, I wanted to get out of the business. I was tired anyway."
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"I only am in this business because I enjoy it. I think that is the only way to be in the business."

"Make something people want and sell that, or be someone people need and sell you."

"Part of your heritage in this society is the opportunity to become financially independent."

"The greatest ability in business is to get along with others and to influence their actions."

"The nonessential employees, the type of workers whom remain at home when it snows, are the quickest to complain about how the talented persons of an organization behave."

"You have to respect your parents. They are giving you an at-bat. If you're an entrepreneur and go into the family business, you want to grow fast. Patience is important. But respect the other party... My dad and I pulled it off because we really respect each other."
Explore more quotes by Dave Van Ronk

"There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians."

"They basically said that if I didn't show up for school they'd mark me present, they wouldn't send the truant officer after me. At 16 I enrolled in something called continuing education. Once a month I'd go out to Jamaica, but I didn't take it seriously."

"If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world."

"One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing."

"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz."

"You can't be afraid of failure and you can't be afraid of success, because either one gets in the way of your work."

"I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician."

"If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes."

"In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that."
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