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"The Sims is kind of an interesting case because we had all these expansion packs. We were able to incrementally add on and explore without invading the core dynamic or the core game play."
Author Name
Personal Development
"What I try to do in a play is put a problem on stage, head-on, without evasion."
Author Name
Personal Development
"We really never know what we're gonna play when we get on stage."
Author Name
Personal Development
"We just finished making a record. Everybody wants to play shows, so we're going to after that."
Author Name
Personal Development
"I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience."
Author Name
Personal Development
"All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in."
Author Name
Personal Development
"The world is a stage, but the play is badly cast."
Author Name
Personal Development
"I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along."
Author Name
Personal Development
"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."
Author Name
Personal Development
"Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney."
Author Name
Personal Development
More
"I'm very strict with my packing and have everything in its right place. I never change a rule. I hardly use anything in the hotel room. I wheel my own wardrobe in and that's it."
Change
"I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow."
Time
"The world of this is a load of crap. You get all these bloody people, so incredibly sycophantic."
People
"For some reason at 12 or 13, I just heard Gerry Milligan and fell in love with that, whatever it was called."
Love
"I didn't know what the hell Charlie Parker was playing... I just liked the way he played."
Hell
"People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud."
People
"A lot of our tracks have sounded a lot better than I thought they would because of recording, mixing, and because I probably didn't hear it that way. I'm not a songwriter."
Thought
"Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that."
Rest
"To be able to play as slow as Al Jackson is almost impossible."
Play
"Mick's not good on his own problems, but he's very good at other people's. He's been wonderful over the years. I don't mean I ring him up every week, but he's fantastic."
People
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