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James Laughlin

"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."

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"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."

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Amber Hurdle

"For awhile after you quit Keats all other poetry seems to be only whistling or humming."

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Amber Hurdle

"When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the area of man's concern, poetry reminds him of the richness and diversity of existence. When power corrupts, poetry cleanses."

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Amber Hurdle

"Old wives keep in memory word of things that once were needful for the wise to know."

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Amber Hurdle

"Everything one invents is true, you may be perfectly sure of that. Poetry is as precise as geometry."

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Amber Hurdle

"Women do not have as great a need for poetry because their own essence is poetry."

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Amber Hurdle

"From what the moderns want, we must learn what poetry should become; from what the ancients did, what poetry must be."

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Amber Hurdle

"In the grueling light that passed for day..."

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Amber Hurdle

"Poetry is an art, and chief of the fine art; the easiest to dabble in, the hardest in which to reach true excellence."

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Amber Hurdle

"I despair of ever writing excellent poetry."

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Amber Hurdle

"The rudiment of verse may, possibly, be found in the spondee."

Explore more quotes by James Laughlin

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James Laughlin
"It's all well and good to say that Germans were all responsible for the concentration camps, but I don't think they were. I think that was the work of a small group of fiends."
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James Laughlin
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
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James Laughlin
"Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of."
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James Laughlin
"Then, of course, there are those sad occasions when a poet or a writer has not grown, and one has to let them go because they're just not making headway. But we have a very clear personal relationship with the authors."
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James Laughlin
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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James Laughlin
"I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian."
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James Laughlin
"We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good."
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James Laughlin
"The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably."
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James Laughlin
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."
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James Laughlin
"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."
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