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"Although none of the rules for becoming more alive is valid, it is healthy to keep on formulating them."
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"We seem to have set up some very arcane rules as to when it is actually OK to applaud."

"A little more movement of the defensive side of the ball, some rules that will be unnoticed, but a big rule will be allowing the jack linebacker to move out of the box sideline to sideline."

"You don't learn to walk by following rules. You learn by doing, and by falling over."

"I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do."

"I wanted to write a new fable and see how many rules you could break."

"In their rules there was only one clause: Do what you will."

"I try not to break the rules but merely to test their elasticity."
Explore more quotes by Susan Sontag


"Victims suggest innocence. And innocence, by the inexorable logic that governs all relational terms, suggests guilt."


"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."


"It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin."


"Societies need to have one illness which becomes identified with evil, and attaches blame to its victims."


"Up to a point, the weight and seriousness of such photographs survive better in a book, where one can look privately, linger over the pictures, without talking. Still, at some moment the book will be closed. The strong emotion will become a transient one."


"I do not think white America is committed to granting equality to the American Negro. This is a passionately racist country; it will continue to be so in the foreseeable future."


"As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure."


"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."
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