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"I don't think you can contrive any sound."
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"Get someone else to blow your horn and the sound will carry twice as far."
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Personal Development

"I like the way remixes sound. Some of them are really creative."
Author Name
Personal Development

"I don't think you can contrive any sound."
Author Name
Personal Development

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."
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Personal Development

"I wanted something very dense, something that would sustain long and more pieces of wood that would be soft, sweet, for more of a mellow sound."
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Personal Development

"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."
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Personal Development

"I'm not interested in having an orchestra sound like itself. I want it to sound like the composer."
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Personal Development

"When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves."
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Personal Development

"It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up."
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Personal Development

"This is my second bass that Paul built me. There were some changes that were made. Sometimes I think of changes that could be made having to do with both the sound and the feel. It's definitely a beautiful instrument."
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"In Braille you write your flat sign first and then your note."
First

"I don't think you can contrive any sound."
Sound

"We're travelling for about nine-and-a-half months a year."
Months

"I studied with a blind teacher from about 5 until I was 16, at two different schools. From the age of 12 until 16, I was in a boarding school-which, I believe, at that time was compulsory for blind children."
Age

"I don't like freedom jazz - I think it's void of roots and void of foundation."
Freedom

"I think in certain areas the demand is greater than it has ever been, and my business is better than it's been in 30 years. The music business is so precarious, as you know-you've got to make it while you can make it, and that's exactly what we're doing."
Business

"Having a set, popular formula does inhibit you."
Formula

"My affiliation with England is borne out by the fact that I do come back for periodic visits."
Fact

"The way it works: The orchestra plays a few selections of its own and I terminate the first part of the programme on piano, usually with a movement from a Mozart concerto."
First

"All my musical foundations go back to the age of 3. My family tell me that I used to listen to the old crystal set, then go to the piano and pick out the tune that I just heard."
Age
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