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Pete Townshend

"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."

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"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."

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Amber Hurdle

"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

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Amber Hurdle

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

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Amber Hurdle

"When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could."

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Amber Hurdle

"When there's music in your soul, there's soul in your music."

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Amber Hurdle

"What is my definition of jazz? 'Safe sex of the highest order."

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Amber Hurdle

"What kind of songs do you like? she asked."The ones that remind me of you," I said."

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Amber Hurdle

"I usually think in terms of music."

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Amber Hurdle

"It means so much being a part of country music and the Opry."

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Amber Hurdle

"Music has the ability to express in the upbeat every brilliant aspect of existence, while on the downbeat convey the anguish that a human being experiences when apprehending the fleeting nature of time, and the mysterious torture of living and dying. Music stands alone in its ability to communicate the symbols and phases of life, both being and nonbeing."

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Amber Hurdle

"One thing I've tried to do in writing music is take on very basic things, very archetypal things."

Explore more quotes by Pete Townshend

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Pete Townshend
"What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story."
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Pete Townshend
"It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance."
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Pete Townshend
"We tried not to age, but time had its rage."
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Pete Townshend
"Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America."
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Pete Townshend
"I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours."
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Pete Townshend
"The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage."
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Pete Townshend
"I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious."
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Pete Townshend
"Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre."
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Pete Townshend
"But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can."
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Pete Townshend
"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."
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