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"How long he stood he did not know, but there was a foolish and yet delicious sense of knowing himself as an animal come from the forest, drawn by the fire. He was a thing of brush and liquid eye, of fur and muzzle and hoof, he was a thing of horn and blood that would smell like autumn if you bled it out on the ground. He stood a long time, listening to the warm crackle of the flames."
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"The dead do not needaspirin orsorrow,I suppose.but they might needrain.not shoesbut a place towalk.not cigarettes,they tell us,but a place to burn.or we're told:space and a place to flymight be thesame.the dead don't need me.nor do theliving.but the dead might needeachother.in fact, the dead might needeverything weneedandwe need so muchif we only knewwhat itwas.it isprobablyeverythingand we will allprobably dietrying to getitor diebecause wedon't getit.I hopeyou will understandwhen I am deadI got as muchaspossible."
"As long as I have a want, I have a reason for living. Satisfaction is death."
"We're not outside the world... We are the world. We're its language. So we live and it lives. You see? If we don't say the words, what is their in our world?"
"In a sane world I should be a great man; as things are, in this curious establishment, I am nothing at all; to all intents and purposes I don't exist. I am just a Vox et preaterea nihil."
"And so, it is always the case that the past is irreparably land-locked, and the future has yet to land. And here we are, living out our lives on the precariously thin line which separates the two."
"Existence really is an imperfect tense that never becomes a present."
Explore more quotes by Ray Bradbury
"And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is a gift and a privilege, not a right."
"Let the war turn off the families. Our civilization is flinging itself to pieces. Stand back from the centrifuge."
"I often wonder if God recognizes His own son the way we've dressed him up, or is it dressed him down?"
"Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
"The huge round lunar clock was a gristmill. Shake down all the grains of Time-the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes-and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine dispensed Time in blowing weathers."
"Now let's take up the minorities in our civilisation, shall we? Bigger the population, the more minorities. Don't step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that!"
"How men envy and often hate these warm clocks, these wives, who know they will live forever. So what do we do? We men turn terribly mean, because we can't hold to the world or ourselves or anything. We are blind to continuity, all breaks down, falls, melts, stops, rots, or runs away. So, since we cannot shape Time, where does that leave men? Sleepless. Staring."
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