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"I realized that I wanted to play characters and do traditional theatre. I wanted to make believe again. I like putting on a costume and pretending to be someone else for a few hours, and I have a great respect for playwrights."
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"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."
"Hey, pretty book, why don't you lie in my lap awhile?"
"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."
"When I play with my cat, who knows whether she is not amusing herself with me more than I with her."
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"We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal."
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"Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well."
"Even when you write it, someone's got to play it. So if you can play it and bypass all the rest of the things, you're still doing as great as someone that has spent forty years trying to find out how to do that. I'm really pro-human beings, pro-expression of everything."
Explore more quotes by Lusia Strus
"There's a part of me that wants to be known and make a comfortable living but still be able to go grocery shopping. My overall idea of success is having people I want to work with want to work with me."
"I get bored at the theatre a lot because I notice that there's not always a connection between the actors. They may be technically proficient, but they're not surprising each other. I'm thrilled by actors who make choices that are surprising."
"What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie."
"I personally take cues directly from the script, then I like to surprise the other actors. But you must maintain control on a level and see how far you can go up, down or out emotionally. You have to balance the craft with spontaneity."
"I pray to be of service to the playwright, the audience, the other actors and my character."
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