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"But to us of a later generation...it is inconceivable that millions of Christian men should have killed and tortured each other, because Napoleon was ambitious, Alexander firm, English policy crafty, and the Duke of Oldenburg hardly treated. We cannot grasp the connections between these circumstances and the bare fact of murder and violence, nor why the duke's wrongs should induce thousands of men from the other side of Europe to pillage and murder the inhabitants of the Smolensk and Moscow provinces and to be slaughtered by them."
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Personal Development
"Military foolishness is ultimately suicidal. They believe that by risking death they pay the price of any violent behavior against enemies of their own choosing. They have the invader mentality, that false sense of freedom from responsibility for your own actions."
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Personal Development
"Latinos have fought in all of America's wars, beginning with the Revolutionary War. Many Latinos are fighting and dying for our country today in Iraq, just as several of their ancestors fought for freedom in Mexico over a century ago."
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Personal Development
"That's the attractive thing about war, said Rosewater. "Absolutely everybody gets a little something."
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Personal Development
"Secret operations are essential in war; upon them the army relies to make its every move."
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Personal Development
"A self-respecting nation is ready for anything, including war, except for a renunciation of its option to make war."
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Personal Development
"Fifty years after half a million gypsies were exterminated in the Second World War - thousands of them in Auschwitz - we're again preparing the mass killing of this minority."
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Personal Development
"War is the business of barbarians."
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Personal Development
"What obsession do men have for destruction and murder? Who do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled 'enemy?"
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Personal Development
"War is peace. Freedom is slavery. Ignorance is strength."
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"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."
Time
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."
Art
"My studio was on 9th Street between University and Broadway."
Art
"My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define."
Work
"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."
Man
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."
War
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."
Work
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."
People
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."
Art
"I have never been able to understand the artist whose image never changes."
Art
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