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Lee Krasner

"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."

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"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."

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Amber Hurdle

"Why do we decorate the world with the ugliness of war when nature is so beautiful and kind?"

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Amber Hurdle

"Peace?' said Vetinari. 'Ah, yes, defined as period of time to allow for preparation for the next war."

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Amber Hurdle

"America is the world's top war-master, the most sophisticated killer-culture in history."

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Amber Hurdle

"War didn't scare me. I just didn't want to go all the way-hell over there to fight one. I had a reputation after that--I pretended I shot myself by accident, but everyone knew. I never did lose that reputation, but now most everyone is dead, and y'all ain't got any stories from them, so you have to believe mine by default: They were cowards, too. Everyone is."

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Amber Hurdle

"Somewhere close bye, a man is moaning; he's been trampled or thrown or bitten. He sounds resentful or surprised. Did no one tell him that pain lives in this sand, dug in and watered with our blood?"

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Amber Hurdle

"Our modern states are preparing for war without even knowing the future enemy."

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Amber Hurdle

"The power of an air force is terrific when there is nothing to oppose it."

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Amber Hurdle

"War is mainly a catalogue of blunders."

War,
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Amber Hurdle

"It's not that success is guaranteed that we go to war. It's because it is the only alternative we have left to avoid annihilation."

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Amber Hurdle

"The philosophy of protectionism is a philosophy of war."

Explore more quotes by Lee Krasner

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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."
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Lee Krasner
"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."
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Lee Krasner
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."
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Lee Krasner
"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."
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Lee Krasner
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."
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Lee Krasner
"My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define."
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Lee Krasner
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."
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Lee Krasner
"My studio was on 9th Street between University and Broadway."
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Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."
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Lee Krasner
"As I say, I as an abstract artist was active politically."
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