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Julie Harris

"I got the boot once from Stanley Donen. The film was called The Little Prince."

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"I got the boot once from Stanley Donen. The film was called The Little Prince."

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Amber Hurdle

"We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20."

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Amber Hurdle

"Kenya doesn't have much of an infrastructure for hosting a film."

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Amber Hurdle

"In this film, we took a helicopter up and showed London as a vista, which is not very often done."

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Amber Hurdle

"There are a thousand weird untold stories in the Australian film industry, this has been one of them."

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Amber Hurdle

"I'm working on bringing the instant film camera back as part of the future."

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Amber Hurdle

"Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller."

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Amber Hurdle

"I don't think of myself as a director or writer. I think of myself as a filmmaker."

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Amber Hurdle

"I think making a good film shot is joyful."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"In the film, I'm not very mobile, like in the space suit."

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Julie Harris
"I don't understand what modern clothes are about at all."
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Julie Harris
"A lot of it, as it is in any job in life, is being in the right place at the right time."
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Julie Harris
"It's nice when you work with someone who has an eye for clothes and will show what you've given them."
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Julie Harris
"I find shoestrings very hard work. I like big budgets."
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Julie Harris
"I really have a generation gap about modern clothes."
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Julie Harris
"You had to make sure that the tone of your dress was not the same tone as the curtains, for instance."
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Julie Harris
"I have to go back to my younger days, when I just adored Hollywood musicals."
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Julie Harris
"I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions."
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Julie Harris
"On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing."
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Julie Harris
"There are wonderful museums with lots of photographs of 1920's musicals."
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