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Don Bluth

"Dragon's Lair 3D is about as close as you can come to controlling an animated feature film."

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"Dragon's Lair 3D is about as close as you can come to controlling an animated feature film."

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"Film gives us a second chance at a first impression."

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"Looper is another great film."

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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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"It's gotten to the point where it's big news when I don't do a horror film."

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"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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"So I used formal techniques to make the film more perceptive emotionally."

Explore more quotes by Don Bluth

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Don Bluth
"Now they call in all of the authority figures they can find and hire them - the cost has gone up. The picture may or may not get better, but definitely, it gets more cumbersome."
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Don Bluth
"The only one that seems to be able to hold the business is Disney. They do it is because they have a fabulous philosophy about marketing- but even they wavered."
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Don Bluth
"I'm also very pleased that we were able to include a full orchestrated score for Dragon's Lair 3D. The 40 different music pieces blend with the action to make you feel more a part of the whole adventure."
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Don Bluth
"As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction."
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Don Bluth
"If the machines can take the drudgery out of it and just leave us with the joy of drawing, then that's the best of both worlds - and I'll use those computers!"
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Don Bluth
"There's about 260 rooms in the new castle which you go through, but it's all about the game play."
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Don Bluth
"Basically the children who watch it just see the little characters they love, and so they're not discerning about whether it looks great or it's a great story or anything."
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Don Bluth
"Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all."
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Don Bluth
"You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business."
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Don Bluth
"I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes."
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