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Vladimir Nabokov

"I was a daisy fresh girl and look what you've done to me."

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"I was a daisy fresh girl and look what you've done to me."

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Amber Hurdle

"Hey, Ryan, if Sting retires, will he change his name to Stung?"

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Amber Hurdle

"Television is like the invention of indoor plumbing. It didn't change people's habits. It just kept them inside the house."

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Amber Hurdle

"We ask the great masses of India to be patient a short time longer, while the cause of freedom is being fought out, not because we want to delay, but because the hard facts of war make a complete change impossible at the moment."

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Amber Hurdle

"You can love more than one person in your life, but things will be different. There'll be a different dynamic. Needs and desires change."

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Amber Hurdle

"Like it takes so little not only to change something, but to make you forget the way it once was, as well."

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Amber Hurdle

"Change is vital, improvement the logical form of change."

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Amber Hurdle

"Just to stir things up seemed a great reward in itself."

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Amber Hurdle

"The change we want is within us and shall always be within us, the change we can have is in the steps we can take to realize the change we want. Take a step if you want a change!"

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Amber Hurdle

"One change always leaves the way open for the establishment of others."

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Amber Hurdle

"In the case of Marilyn and John Kennedy, I think they did affect change."

Explore more quotes by Vladimir Nabokov

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Vladimir Nabokov
"Nothing revives the past so completely as a smell that was once associated with it."
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Vladimir Nabokov
"I clearly understand, first, that the real human being is a poet and, second, that [the tyrant] is the incarnate negation of a poet."
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Vladimir Nabokov
"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."
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Vladimir Nabokov
"That human life is but a first installment of the serial soul and that one's individual secret is not lost in the process of earthly dissolution, becomes something more than an optimistic conjecture, and even more than a matter of religious faith, when we remember that only commonsense rules immortality out."
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Vladimir Nabokov
"It is interesting to ponder the fact that there is no real difference between what the Western Fascists wanted of literature and what the Bolsheviks want. Let me quote: "The personality of the artist should develop freely and without restraint. One thing, however, we demand: acknowledgement of our creed. Thus spoke one of the big Nazis, Dr. Rosenberg, Minister of Culture in Hitler's Germany. Another quote: "Every artist has the right to create freely; but we, Communists, must guide him according to plan. Thus spoke Lenin. Both of these are textual quotations, and their similitude would have been highly diverting had not the whole thing been so very sad."
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Vladimir Nabokov
"The idea of God was invented in the small hours of history by a scam who had genius; it somehow reeks too much of humanity, that idea, to make its azure origin plausible..."
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Vladimir Nabokov
"And I thought to myself how those fast little articles forget everything, everything, while we, old lovers, treasure every inch of their nymphancy."
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Vladimir Nabokov
"But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die."
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Vladimir Nabokov
"Cannot it actually be that in a wildly literal sense, unacceptable to one's reason, he meant disappearing in his art, dissolving in his verse, thus leaving of himself, of his nebulous person, nothing but verse?"
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Vladimir Nabokov
"Dear Jesus, do something."
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