top of page
.png){kind=small}
"I don't see myself necessarily having a burning desire to write a symphony."
Standard
Customized
Exlpore more Desire quotes
"I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader."
"I want to drink from you're life force."
"Success is like the most beautiful woman: pursued by many, loved by all, feared by few, courted by the patient and hardworking, and won over by good judgment."
"I've missed you, Sebastian.""Have you, love?" He unfastened the buttons of her robe, the light eyes glittering with heat as her skin was revealed. "What part did you miss the most?""Your mind," she said, and smiled at his expression."I was hoping for a far more depraved answer than that.""Your mind is depraved," she told him solemnly.He gave a husky laugh. "True."
Explore more quotes by Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
"I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging."
"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
"So I've learned in the past, if a company approaches me and they want something like this, or something like that that I've done and I turn them down, they're going to do it anyhow."
bottom of page