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Cab Calloway

"We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free."

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"We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free."

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Amber Hurdle

"The thing I loved about Alfred Hitchcock is that he left a lot of open ends there, a lot of clues that didn't really add up the way you think they would, and sometimes, not at all."

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Amber Hurdle

"The bottom string is tuned to an open G."

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Amber Hurdle

"The opportunities which the present position open up for a lasting and radical solution of the most vexing problem of the Jewish state are so far-reaching as to take one's breath away."

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Amber Hurdle

"We tried burying the waste at sea and the concrete cannisters that held it cracked open."

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Amber Hurdle

"When these suckers had formed roots in the open ground, or kind of nursery where they were planted, they were looked over and the best taken up for potting."

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Amber Hurdle

"You open the show with a bang, then don't come back on for 45 minutes."

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Amber Hurdle

"Don't tell a woman she's pretty; tell her there's no other woman like her, and all roads will open to you."

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Amber Hurdle

"15 minutes will open up the amnesia and you'll have full recall."

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Amber Hurdle

"When one door is closed, don't you know, another is open."

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Amber Hurdle

"Silence is a statement that is open to gross misinterpretation."

Explore more quotes by Cab Calloway

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Cab Calloway
"He was a silly guy. Out - do the other guy. That was his effort at all times."
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Cab Calloway
"I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were."
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Cab Calloway
"What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't."
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Cab Calloway
"A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage."
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Cab Calloway
"Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice."
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Cab Calloway
"The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job."
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Cab Calloway
"90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness."
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Cab Calloway
"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."
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Cab Calloway
"That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was."
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Cab Calloway
"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."
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