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Joel Coen

"You see a moral in them? Do we have morals?"

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"You see a moral in them? Do we have morals?"

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Amber Hurdle

"When the sun comes up, I have morals again."

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Personal Development

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Amber Hurdle

"Oh the shrewdness of their shrewdness when they're shrewd. And the rudeness of their rudeness when they're rude But the shrewdness of their shrewdness and the rudeness of their rudeness Are nothing to their goodness when they're good."

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Personal Development

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Amber Hurdle

"Never let your sense of morals get in the way of doing what's right."

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Personal Development

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Amber Hurdle

"What we call "morals" is simply blind obedience to words of command."

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Personal Development

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Amber Hurdle

"You see a moral in them? Do we have morals?"

Author Name

Personal Development

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Amber Hurdle

"Sell your materials but save your morals."

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Personal Development

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Amber Hurdle

"The minister of the Gospel is really the yardstick by which the nation measures its morals."

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Personal Development

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Amber Hurdle

"It is a monstrous thing that I will say, but I will say it all the same: I find in many things more restraint and order in my morals than in my opinions, and my lust less depraved than my reason."

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Joel Coen
"I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing up in a Jewish community in Minnesota really affected it."

Community

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Joel Coen
"We have an uncanny ability to make birds do what we want them to do. In Blood Simple there's a shot from the bumper of a car and it's going up this road and a huge flock of birds takes off at the perfect moment."

Car

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Joel Coen
"If the material is challenging, it forces you to challenge yourself when handling it."

Challenge

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Joel Coen
"The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first."

People

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Joel Coen
"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."

People

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Joel Coen
"I'd be perfectly happy never to have to answer anything again about how I work with Ethan, or whether we have arguments, or... you know what I mean? I've been answering those questions for 20 years. I suppose it's interesting to people."

Work

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Joel Coen
"And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before."

Home

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Joel Coen
"You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole class of people."

People

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Joel Coen
"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."

Story

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Joel Coen
"The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere."

Question

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