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"The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format."
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"Year Two is a critical year for any television show."
Author Name
Personal Development
"Basicly what I had to do was do a 7 minute board and pitch it to a room of big wigs from the network and based on that they determined if I would get a short or not."
Author Name
Personal Development
"Violence and smut are of course everywhere on the airwaves. You cannot turn on your television without seeing them, although sometimes you have to hunt around."
Author Name
Personal Development
"Television probably has become the most evocative, widely observed signpost we have."
Author Name
Personal Development
"I'm in my 80s and not a keen television fan."
Author Name
Personal Development
"I rode into the dawning world of television in 1944 on a train."
Author Name
Personal Development
"So what I do is supervise the boarding process trying to get the shows the way I'd like them to be. And in some cases I've completely redone a board myself even though I'm not credited for it."
Author Name
Personal Development
"Savvy observers occasionally note television's resemblance to the weather: Everybody loves to complain about it, but nobody can do anything to fix it."
Author Name
Personal Development
"An actress, around 40, on television, that's where you get the most torture, I think."
Author Name
Personal Development
"Some of the most important stories don't lend themselves to television treatment."
Author Name
Personal Development
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"Basicly what I had to do was do a 7 minute board and pitch it to a room of big wigs from the network and based on that they determined if I would get a short or not."
Television
"So what I do is supervise the boarding process trying to get the shows the way I'd like them to be. And in some cases I've completely redone a board myself even though I'm not credited for it."
Television
"One of the main things I do is focus on ideas and what stories we decide to tell, but probably the biggest part of my job I'd say is working on the storyboards."
Creativity
"The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format."
Television
"I'm always thinking about what I might want to do next, but there's still things I want to do with Powerpuff - so I can keep going with this one for awhile."
Thinking
"It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking."
Sense
"Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw."
People
"The reason they look the way they do is that the first drawing I did of them was really small so I didn't draw fingers, nose, ears, etc and this drawing had a certain appeal that I really liked."
Art
"I started working at Hanna-Barbera in '92 on 2 Stupid Dogs."
Dogs
"We chose the actors thru a series of auditions when we started the show."
Actor
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